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of herself whilst aping the actions of movie stars , ranging from Sridevi 's Naagin dance , Mithun Chakravarthy 's Disco Dancer moves , to Big B 's violent headshake in Hum . Her Tara could be a keeper if only Jaane Kahan Se Aayi Hai wasn 't so intent on turning her into a love @-@ struck Barbie . " Critic Anupama Chopra also criticized Fernandez , calling her " a pin @-@ prick on a balloon " . Later that year , she made a cameo appearance in Sajid Khan 's Housefull in the song " Dhanno " .
Mahesh Bhatt 's thriller Murder 2 was Fernandez 's first commercial success and marker a turning point in her career . She took on the role of Priya , a lonely model who is in a confused relationship with Arjun Bhagwat ( played by Emraan Hashmi ) . Fernandez was praised for the her performance , and for the boldness and sex appeal she displayed in the film . Gaurav Malini of The Times of India stated that she was " tastefully tempting " but noted that her romance with Hashmi was " literally half @-@ baked " . The following year , Fernandez appeared in the ensemble comedy Housefull 2 alongside Akshay Kumar , John Abraham , and Asin . It became one of the top grossing productions of India that year and earned ₹ 1 @.@ 86 billion ( US $ 28 million ) worldwide . Fernandez received mostly negative reviews for her performance . While Gaurav Malini praised her for her looks , NDTV called her a " blathering bimbo " who " find [ s ] no pleasure in [ her role ] " . Despite the negative reviews , Fernandez received a Best Supporting Actress nomination at the 14th IIFA Awards for her performance .
Fernandez 's first release of 2013 was Race 2 , an ensemble action thriller ( alongside Saif Ali Khan , John Abraham , Deepika Padukone , Ameesha Patel , and Anil Kapoor ) ) , described as the " cinematic equivalent of a trashy novel " by critic Rajeev Masand . She played Omisha , a femme fatale , a role which required her learn fencing and some acrobatics . The film emerged as a commercial success , with the domestic gross of more than ₹ 1 billion ( US $ 15 million ) . In a particularly scathing review
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A controlled airspace extends to ground level . The concentration of commercial operations and high demand for GA in the South East of England have also resulted in extensive areas of Class A controlled airspace there , which serve to channel uncontrolled GA operations through high @-@ collision @-@ risk hot spots .
= = = Aerodrome access = = =
Regional airports , such as Edinburgh Airport , have experienced strong growth in CAT operations in recent years . These operations are commercially and operationally incompatible with GA , and although there is no evidence of deliberate discrimination , the effect has been to discourage or exclude it . GA aircraft are being subject to significant increases in charges , including the imposition of handling fees in some cases . Some airports restrict or deny GA parking , and others limit or refuse certain GA activity . As a result , light GA aircraft are now rarely or never seen at large , busy international airports such as Heathrow , Stansted , Gatwick and Manchester .
In addition to this de facto loss of facilities , the number of aerodromes in the UK has been in decline over the last 50 years , as a result of increasing urbanisation and the closure of airfields built during WWII . Alternative and more profitable uses for land can also lead to existing aerodromes being threatened with closure , for example North Weald , or actually being closed , as happened to Ipswich Airport. and Bristol Filton Airport . Referring to the importance of a " functioning national network of GA airfields " , especially where GA performs an air transport role , the CAA states that " there could be cause for concern if a significant further loss of airfields were to continue , especially if crucial nodes on the transport network were to be lost . "
= = = Planning system = = =
The planning system is critical to the viability and operation of GA aerodromes . With many cities lacking scheduled air transport services between them , and with GA access to commercial airports becoming increasingly difficult and expensive , a viable network of aerodromes supporting GA air transport operations is regarded as an important national issue . However , there is no unified national planning policy specific to GA aerodromes , and planning decisions relating to these are based on local issues that are not required to consider the national impact . Because aircraft are excluded from noise control legislation , the only recourse for people affected by aircraft noise is through the planning process , and this issue is the principal factor on which the majority of planning decisions relating to GA land use are made . GA is a specialist subject often unfamiliar to Local Planning Authorities , and most planning decisions relating to GA either refuse permission , or grant it with restrictive conditions . Little Gransden is just one example of a GA airfield required to comply with planning restrictions on the number of movements permitted , thereby inhibiting further development . Such restrictions , if poorly conceived , can make GA operations unviable or even unsafe .
= = Criticism = =
Public opinion towards aviation generally is worsening , based on increasing environmental concerns relating to emissions and noise , and private flying has been criticised by respondents to a government consultation on aircraft noise as a frivolous or selfish activity . In terms of environmental complaints and enquiries made to the CAA that relate specifically to GA , noise is " by far " the most common subject . Half of the 2 @,@ 000 noise complaints made annually to the CAA concern GA operations , most of which relate to aerobatics , helicopters using private sites , air balloon incidents , parachute dropping , and alleged low flying .
Planning guidance on aircraft noise advises that " in some circumstances the public perceive general aircraft noise levels as more disturbing than similar levels around major airports . " This is a result of the tonal characteristics of light aircraft engines and the activities they are engaged in , including : repetitive circuit flying at low @-@ altitude near an aerodrome , during which aircraft are audible for long periods ; slow climbing aircraft engaged in parachute drop or glider tug activities concentrated around the drop zone or aerodrome , also audible for long periods ; erratic and repetitive engine noise from aircraft engaged in aerobatics ; and piston @-@ engines on full power in areas of low background noise , leading to the perception that such noise is more intrusive . In an attempt to alleviate these problems , the majority of aerodromes implement noise abatement procedures designed to route aircraft away from noise sensitive areas , and more than 50 are required by the government to provide consultative facilities in which local concerns can be raised with aerodrome operators .
= SMS Zrínyi =
SMS Zrínyi ( " His Majesty 's ship Zrínyi " ) was a Radetzky @-@ class pre @-@ dreadnought battleship ( Schlachtschiff ) of the Austro @-@ Hungarian Navy ( K.u.K. Kriegsmarine ) , named for the Zrinski , a noble Croatian family . Zrínyi and her sisters , Erzherzog Franz Ferdinand and Radetzky , were the last pre @-@ dreadnoughts built by the Austro @-@ Hungarian Navy .
During World War I , Zrínyi saw action in the Adriatic Sea . She served with the Second Division of the Austro @-@ Hungarian Navy 's battleships and shelled Senigallia as part of the bombardment of the key seaport of Ancona , Italy , during May 1915 . However , Allied control of the Strait of Otranto meant that the Austro @-@ Hungarian Navy was , for all intents and purposes , effectively bottled up in the Adriatic . Nonetheless , the presence of the Zrínyi and other battleships tied down a substantial force of Allied ships .
With the war going against the Austrians by the end of 1918 , Zrínyi was prepared to be transferred to the new State of Slovenes , Croats and Serbs . On 10 November 1918 — just one day before the end of the war , navy officers sailed the battleship out of Pola ( Pula ) and eventually surrendered to a squadron of American submarine chasers . Following the handover to the United States Navy , she was briefly designated USS Zrínyi . In the Treaty of Saint @-@ Germain @-@ en @-@ Laye , the transfer was not recognized ; instead , Zrínyi was given to Italy and broken up for scrap .
= = Design and construction = =
Zrínyi was built at the Stabilimento Tecnico Triestino dockyard in Trieste , the same place where her sister ships were built earlier . She was laid down on 15 November 1908 and launched from the slipway on 12 April 1910 . The teak used on Zrínyi 's deck was the only material Austria @-@ Hungary had to purchase abroad to build the ship . The ship was completed by 15 July 1911 , and on 22 November 1911 she was commissioned into the fleet . She was the last ship of the class to be completed and had a crew of 880 to 890 officers and men .
Zrínyi was 138 @.@ 8 m ( 455 ft 4 in ) long , and had a beam of 24 @.@ 6 m ( 80 ft 8 in ) and a draft of 8 @.@ 1 m ( 26 ft 9 in ) . She displaced 14 @,@ 508 long tons ( 14 @,@ 741 t ) normally , and up to 15 @,@ 845 long tons ( 16 @,@ 099 t ) with a full combat load . She was powered by two @-@ shaft four @-@ cylinder vertical triple expansion engines rated at 19 @,@ 800 indicated horsepower . The ship had a top speed of 20 @.@ 5 knots ( 38 @.@ 0 km / h ; 23 @.@ 6 mph ) . Zrínyi was the first warship in the Austro @-@ Hungarian Navy to use fuel oil to supplement her 12 Yarrow @-@ type coal @-@ fired boilers . She had a maximum range of 4 @,@ 000 nautical miles ( 7 @,@ 400 km ; 4 @,@ 600 mi ) at a cruising speed of 10 knots ( 19 km / h ; 12 mph ) .
The ship 's primary armament consisted of four 30 @.@ 5 cm ( 12 in ) 45 @-@ caliber guns in two twin gun turrets . This was augmented by a heavy secondary battery of eight 24 cm ( 9 @.@ 4 in ) guns in four wing turrets . The tertiary battery consisted of twenty 10 cm L / 50 guns in casemated single mounts , four 47 mm ( 1 @.@ 85 in ) L / 44 and one 47 mm L / 33
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exemplified by those of Zapata , which were erupting throughout Mexico . Limantour , who broadly agreed with Estañol , had the support of the Mexican financiers , who feared the downgrading of Mexican international credit and a general economic crisis as a result of ongoing social unrest , as well as that of the large landowners who were willing to come to terms with Madero if it would put an end to the agrarian uprisings .
These social group were in turn opposed by the more reactionary elements within Díaz 's government , mostly concentrated in the federal army , who though that the rebels should be dealt with through brute force . This faction was represented by General Victoriano Huerta , who would later carry out an attempted coup d 'état against Madero . Likewise , the general , and potential successor to Díaz , Bernardo Reyes stated in a letter to Limantour that " the repression ( against the insurrectionists ) should be carried out with the greates energy , punishing without any pity anyone participating in the armed struggle " . In the end however , Díaz dismissed the advice from his generals as " Custer @-@ like bluster " and chose to seek peace with the moderate wing of the revolution . Limantour had finally managed to persuade him to resign .
At the same time there was also disagreement among the rebels . The " left wing " of the revolutionary movement , represented by Zapata and Orozco ( Villa for the time being tended to support Madero ) , warned against any possible compromises with Díaz . In the end their suspicions proved correct as the treaty that was eventually signed neglected issues of social and agrarian land reform that were central to their struggle .
= = The treaty 's terms = =
The most significant point of the treaty was that Porfirio Díaz , and his vice president , Ramón Corral , resign and that de la Barra , acting as interim president organize free elections as soon as possible .
Additionally , the treaty stipulated that :
An amnesty for all revolutionaries be declared , with the option for some of them to apply for membership in the rurales .
The revolutionary forces were to be demobilized as soon as possible and the federal forces were to be the only army in Mexico . This was in order to appease the army , which had opposed a compromise with Madero .
Madero and his supporters had the right to name fourteen provisional state governors , and to approve la Barra 's cabinet .
Pensions were to be established for relatives of the soldiers who had died fighting the rebels .
Policemen and judges , as well as state legislators , that had been appointed or " elected " under Díaz were to retain their offices .
= = Implementation and results = =
The treaty was signed on May 21 . Díaz resigned accordingly on May 25 . Francisco de la Barra became the interim president . Madero entered Mexico City on June 7 .
Zapata however refused to recognize the interim government of de la Barra , and for the time being the fighting in Morelos continued . Madero met with Zapata on several occasions during June . While initially Zapata trusted Madero , with time he became increasingly concerned that the goals of " his revolution " were not being fulfilled . He was particularly angry that Madero did
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of any fundamental right , and therefore that the strict scrutiny process did not need to be applied . In the absence of this process , they held that the Seventeenth Amendment did not require primary elections to fill vacancies , and more broadly gave state legislatures wide discretion as to how to hold elections ; as such , the statute did not violate the constitution . In December 1991 the Supreme Court denied a writ of certiorari , presumably because the special election had already taken place in November and the issue was thus moot .
= = Significance = =
Laura E. Little , writing in the Temple Law Review , notes the dearth of guidance for either the District Court or Court of Appeals in Trinsey , with no " explicit direction and no direct precedent " from either the constitutional provisions or prior case law to rely on . In the absence of guidance , the Court of Appeals took a narrow view of the issues , something she criticises . Under Pennsylvanian law , primaries are mandatory in all other elections , and in her opinion the lack of a primary in this case should have been judged to be a violation of Trinsey 's fundamental rights . Combined with the purpose of the Seventeenth Amendment - to ensure direct election - this should have led to the application of the strict scrutiny test , and the decision that the statute governing special elections was unconstitutional . Kevin M. Gold instead suggests that the test used in Valenti v. Rockefeller , an analogous decision over the validity of New York state electoral law . In Valenti , the judiciary applied the " substantial state interests " test , which involves simply looking at whether the statute in question furthers the interests of the states , who under the Seventeenth Amendment are given some discretion as to the electoral process they use .
= Michael Jordan =
Michael Jeffrey Jordan ( born February 17 , 1963 ) , also known by his initials , MJ , is an American retired professional basketball player . He is also a businessman , and principal owner and chairman of the Charlotte Hornets . Jordan played 15 seasons in the National Basketball Association ( NBA ) for the Chicago Bulls and Washington Wizards . His biography on the NBA website states : " By acclamation , Michael Jordan is the greatest basketball player of all time . " Jordan was one of the most effectively marketed athletes of his generation and was considered instrumental in popularizing the NBA around the world in the 1980s and 1990s .
Jordan played three seasons for coach Dean Smith at the University of North Carolina . He was a member of the Tar Heels ' national championship team in 1982 . Jordan joined the NBA 's Chicago Bulls in 1984 as the third overall draft pick . He quickly emerged as a league star , entertaining crowds with his prolific scoring . His leaping ability , demonstrated by performing slam dunks from the free throw line in slam dunk contests , earned him the nicknames " Air Jordan " and " His Airness " . He also gained a reputation for being one of the best defensive players in basketball . In 1991 , he won his first NBA championship with the Bulls , and followed that achievement with titles in 1992 and 1993 , securing a " three @-@ peat " . Although Jordan abruptly retired from basketball before the beginning of the 1993 – 94 NBA season to pursue a career in baseball , he returned to the Bulls in March 1995 and led them to three additional championships in 1996 , 1997 , and 1998 , as well as a then @-@ record 72 regular @-@ season wins in the 1995 – 96 NBA season . Jordan retired for a second time in January 1999 , but returned for two more NBA seasons from 2001 to 2003 as a member of the Wizards .
Jordan 's individual accolades and accomplishments include five Most Valuable Player ( MVP ) Awards , ten All @-@ NBA First Team designations , nine All @-@ Defensive First Team honors , fourteen NBA All @-@ Star Game appearances , three All @-@ Star Game MVP Awards , ten scoring titles , three steals titles , six NBA Finals MVP Awards , and the 1988 NBA Defensive Player of the Year Award . Among his numerous accomplishments , Jordan holds the NBA records for highest career regular season scoring average ( 30 @.@ 12 points per game ) and highest career playoff scoring average ( 33 @.@ 45 points per game ) . In 1999 , he was named the greatest North American athlete of the 20th century by ESPN , and was second to Babe Ruth on the Associated Press 's list of athletes of the century . Jordan is a two @-@ time inductee into the Basketball Hall of Fame , having been enshrined in 2009 for his individual career , and again in 2010 as part of the group induction of the 1992 United States men 's Olympic basketball team ( " The Dream Team " ) . He became a member of the FIBA Hall of Fame in 2015 .
Jordan is also known for his product endorsements . He fueled the success of Nike 's Air Jordan sneakers , which were introduced in 1985 and remain popular today . Jordan also starred in the 1996 feature film Space Jam as himself . In 2006 , he became part @-@ owner and head of basketball operations for the then @-@ Charlotte Bobcats , buying a controlling interest in 2010 . In 2015 , as a result of the increase in value of NBA franchises , Jordan became the first billionaire NBA player in history and the world 's second @-@ richest African @-@ American .
= = Early years = =
Jordan was born in Brooklyn , New York , the son of Deloris ( née Peoples ) , who worked in banking , and James R. Jordan , Sr. , an equipment supervisor . His family moved to Wilmington , North Carolina , when he was a toddler .
Jordan is the fourth of five children . He has two older brothers , Larry Jordan and James R. Jordan , Jr . , one older sister , Deloris , and a younger sister , Roslyn . Jordan 's brother James retired in 2006 as the Command Sergeant Major of the 35th Signal Brigade of the XVIII Airborne Corps in the U.S. Army .
= = High school career = =
Jordan attended Emsley A. Laney High School in Wilmington , where he anchored his athletic career by playing baseball , football , and basketball . He tried out for the varsity basketball team during his sophomore year , but at 5 ' 11 " ( 1 @.@ 80 m ) , he was deemed too short to play at that level . His taller friend , Harvest Leroy Smith , was the only sophomore to make the team .
Motivated to prove his worth , Jordan became the star of Laney 's junior varsity squad , and tallied several 40 @-@ point games . The following summer , he grew four inches ( 10 cm ) and trained rigorously . Upon earning a spot on the varsity roster , Jordan averaged about 20 points per game over his final two seasons of high school play . As a senior , he was selected to the McDonald 's All @-@ American Team after averaging a triple @-@ double : 29 @.@ 2 points , 11 @.@ 6 rebounds , and 10 @.@ 1 assists .
Jordan was recruited by numerous college basketball programs , including Duke , North Carolina , South Carolina , Syracuse , and Virginia . In 1981 , Jordan accepted a basketball scholarship to North Carolina , where he majored in cultural geography .
= = College career = =
As a freshman in coach Dean Smith 's team @-@ oriented system , he was named ACC Freshman of the Year after he averaged 13 @.@ 4 points per game ( ppg ) on 53 @.@ 4 % shooting ( field goal percentage ) . He made the game @-@ winning jump shot in the 1982 NCAA Championship game against Georgetown , which was led by future NBA rival Patrick Ewing . Jordan later described this shot as the major turning point in his basketball career . During his three seasons at North Carolina , he averaged 17 @.@ 7 ppg on 54 @.@ 0 % shooting , and added 5 @.@ 0 rebounds
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with an authenticity that might have otherwise been missing had she recorded these songs just a few years earlier . "
NPR 's Ken Tucker described the album as a " glossy but heartfelt work " and approvingly compared its contrasting philosophy to Nick Lowe 's Quality Street : A Seasonal Selection for All the Family , both of which he described as " will put you in a holiday mood " . Matt Casarino of PopMatters gave the album a generally favorable review , claiming that " Clarkson plays it safe and spends too much time showing off her upper register , but Wrapped in Red is a warm and romantic addition to the Christmas pop Zeitgeist , " adding " Wrapped in Red doesn ’ t need edge ; it ’ s just dynamic and varied enough to be satisfying , and it ’ s light @-@ years better than any of the whitewashed Christmas crap Simon Cowell has inflicted on the world " . Sarah Rodman of The Boston Globe gave a favorable review , particularly lauding " Underneath the Tree " , and described Clarkson 's rendering the Christmas standards as " fairly straight " . She added , " She starts gently on " Have Yourself a Merry Little Christmas " before belting out the money notes . She ambles assuredly through the soulful favorite " Please Come Home for Christmas ( Bells Will Be Ringing ) " and hangs by the piano for a torchy “ White Christmas . " Newsday 's music columnist Glenn Gamboa wrote that " Clarkson handles it all expertly — hitting remarkably high notes on " Have Yourself a Merry Little Christmas " and swinging jazzily on " Baby It 's Cold Outside " with Dunn . The new songs make Wrapped in Red a real gift , as the title track and " Underneath the Tree " channel the Phil Spector Christmas albums ; and " 4 Carats " somehow blends " Stronger " and " Santa Baby " . Reviewing for HitFix , Melinda Newman gave the album an " A " rating , praising Clarkson 's vocal performances and noting that she and Kurstin " have clearly studied legendary Christmas albums of yore — most notably Spector 's A Christmas Gift For You and Andy Williams ' Merry Christmas — to lovingly recreate Christmas standards , as well as craft new ones in the image of those sets . " Chris Klimek of Slate declared Wrapped in Red as the best of 2013 's new Christmas records , noting for its vintage sound . He also observed that its five original tracks , most notably " Wrapped in Red " and " Underneath the Tree " , have reasonable odds of remaining in the yuletide rotation five years from now . In his review for The New York Times , Jon Caramanica wrote that Clarkson is very likely the only singer working in pop with a real possibility of creating a modern holiday classic along the lines of Carey 's " All I Want for Christmas Is You . " and remarked that her takes on familiar songs , however accomplished , are " also faithful in the way that someone mindful of pop history would be . "
= = = Commercial performance = = =
Wrapped in Red became a commercial success in the United States . Prior it its release , music commercial analysts predicted that the album would likely sell at least 60 @,@ 000 copies in its first week of release in the region , and foresaw it to be the front @-@ runner as the bestselling holiday release of the season . On the week ending November 16 , 2013 , it debuted on the Billboard 200 chart at number 3 with 70 @,@ 000 copies sold in all retailers , a 93 @,@ 000 decrease from Stronger 's first week sales of 163 @,@ 000 copies in 2011 . Nielsen Music analyst Dave Bakula attributed its low performance to the falling market share of the holiday music in general , which saw 3 @.@ 8 percent decrease in 2012 . The album 's chart debut on the Billboard 200 earned Clarkson her sixth consecutive top three studio album as well as the highest debut for a Christmas record by a female artist since Susan Boyle 's first Christmas album The Gift debuted at the top of the chart in 2010 . Wrapped in Red also debuted three other different charts , most notably at the top of the Billboard Top Holiday Albums chart . On the week ending November 30 , 2013 , by charting at number six on the Billboard 200 , the album became the lone Sony release inside the chart 's top ten , with the others being Universal Music Group releases .
Despite its modest debut week , Wrapped in Red began to gain traction at the beginning of the holiday season , selling up to 131 @,@ 000 copies during the Thanksgiving week . It experienced its best sales week after benefiting from NBC 's premiere broadcast of Cautionary Christmas Music Tale , selling up to 136 @,@ 000 copies on its seventh week of release . For nine consecutive weeks , it stayed in the top ten of the Billboard 200 , the most by any studio album by Clarkson . On December 5 , 2013 , the album was certified platinum by the Recording Industry Association of America , making it her fifth platinum studio album . Wrapped in Red subsequently became the bestselling Christmas release of 2013 by selling over 763 @,@ 000 copies , according to Nielsen Soundscan , making her the first American female artist to have the number @-@ one Christmas album of the Soundscan era . Twelve of the album cuts from Wrapped in Red have also entered the Billboard Holiday Digital Songs chart during its first week of release — led by " Silent Night " , " Have Yourself a Merry Little Christmas " , and " Underneath the Tree " at numbers one , two , and four , respectively . Other songs have also appeared in various Billboard charts throughout the holiday season : songs such as " Blue Christmas " and " Please Come Home for Christmas " charted on the Billboard Adult Contemporary chart , peaking at numbers 5 and 6 , respectively ; whereas " My Favorite Things " , " Run Run Rudolph " , " Please Come Home for Christmas " , " Silent Night " and " Wrapped in Red " peaked on the Billboard Canada AC chart at numbers eight , seven , 14 , 22 , and 49 , respectively . Tracks
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such as " My Favorite Things " have charted on the Billboard Mexico Inglés Airplay chart at number 49 ; while " Silent Night " attained a position in both the Billboard Holiday 100 and the Billboard Hot Country Songs charts , peaking at numbers 86 and 51 , respectively . Amazon.com listed Wrapped in Red as their second bestselling album during the holiday season , and listed it as their sixth bestselling title of 2013 . The album has sold 785 @,@ 300 copies in the US as of November 2014 . And in 2014 peaked at 7 on the holiday chart .
Internationally , Wrapped in Red had a relatively limited commercial performance . In Canada , the album debuted on the Billboard Canadian Albums chart at number 6 on the week ending November 16 , 2013 , making it her fifth top ten debut on the Nielsen @-@ tracked chart . It peaked on the chart at number 5 on the week ending December 28 , 2013 . Wrapped in Red became the second bestselling Christmas album of 2013 in Canada with 67 @,@ 000 copies sold in the region , behind A Christmas Gift to You by Johnny Reid . In Australia , the album debuted on the ARIA Albums Chart at number 82 on the week ending November 4 , 2013 , and peaked at number 29 on the week ending December 30 , 2013 . In Switzerland , it debuted on the Schweizer Hitparade at number 97 on the week ending November 10 , 2013 . In the United Kingdom , Wrapped in Red charted on the Official UK Albums Chart at number 65 on the week ending December 14 , 2013 . Despite its limited performance , Sony Corporation listed the album as their fifth bestselling release worldwide during the holiday season , which included albums , album cut tracks , and singles sales .
= = Track listing = =
All tracks were produced by Greg Kurstin , with vocal production on " Every Christmas " made by Jason Halbert .
Note
" Just for Now " contains a portion of the composition " Carol of the Bells " , written by Peter J. Wilhousky .
Tracks from the concert DVD were filmed from the television special Kelly Clarkson 's Cautionary Christmas Music Tale .
= = Credits and personnel = =
Credits lifted from the album 's liner notes .
Instruments
Production
= = Charts = =
= = Certifications = =
= = Release history = =
= Christmas 1994 nor 'easter =
The Christmas 1994 nor 'easter was an intense cyclone along the East Coast of the United States and Atlantic Canada . It developed from an area of low pressure in the southeast Gulf of Mexico near the Florida Keys , and moved across the state of Florida . As it entered the warm waters of the Gulf Stream in the Atlantic Ocean , it began to rapidly intensify , exhibiting traits of a tropical system , including the formation of an eye . It attained a pressure of 970 millibars on December 23 and 24 , and after moving northward , it came ashore near New York City on Christmas Eve . Because of the uncertain nature of the storm , the National Hurricane Center ( NHC ) did not classify it as a tropical cyclone .
Heavy rain from the developing storm contributed to significant flooding in South Carolina . Much of the rest of the East Coast was affected by high winds , coastal
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Libya during World War II .
= Species of Allosaurus =
There have been a number of potential species assigned to the carnosaurian dinosaur genus Allosaurus since its description in 1877 by Othniel Charles Marsh , but only a handful are still regarded as valid . Allosaurus was originally described from material from the Upper Jurassic Morrison Formation of the western United States of America ; the type species A. fragilis became one of the best @-@ known species of dinosaur .
The genus Allosaurus was part of the Marsh / Cope " Bone Wars " of the late 19th century , and its taxonomy became increasingly confused due to the competition , with several genera and species named by Cope and Marsh now regarded as synonyms of Allosaurus or A. fragilis . Since the description of Allosaurus , scientists have proposed additional species from such far @-@ flung locales as Portugal , Siberia , and Tanzania .
= = Query about type specimen = =
The issue of synonyms is complicated by the type specimen of Allosaurus fragillis ( catalogue number YPM 1930 ) being extremely fragmentary , consisting of a few incomplete vertebrae , limb bone fragments , rib fragments , and a tooth . Because of this , several scientists have noted that the type specimen , and thus the genus Allosaurus itself or at least the species A. fragillis , is technically a nomen dubium ( " dubious name " , based on a specimen too incomplete to compare to other specimens or to classify ) . In an attempt to fix this situation , Gregory S. Paul and Kenneth Carpenter ( 2010 ) submitted a petition to the ICZN to have the name A. fragillis officially transferred to the more complete specimen USNM4734 ( as a neotype ) . This request is currently pending review .
= = Potentially valid species = =
It is unclear how many species of Allosaurus there were . Eight species have been considered potentially valid since 1988 ( A. amplexus , A. atrox , A. europaeus , the type species A. fragilis , the as @-@ yet not formally described " A. jimmadseni " , A. lucasi , A. maximus , and A. tendagurensis ) , although only about half are usually considered valid at any given time . There are also at least ten dubious or undescribed species that have been assigned to Allosaurus over the years , along with the species belonging to genera now sunk into Allosaurus . In the most recent review of basal tetanuran theropods , only A. fragilis ( including A. amplexus and A. atrox ) , " A. jimmadseni " ( as an unnamed species ) , and A. tendagurensis were accepted as potentially valid species , with A. europaeus not yet proposed and A. maximus assigned to Saurophaganax .
A. fragilis is the type species and was named by Marsh in 1877 . It is known from the remains of at least sixty individuals , all found in the Kimmeridgian – Tithonian Upper Jurassic @-@ age Morrison Formation of the United States , spread across the states of Colorado , Montana , New Mexico , Oklahoma , South Dakota , Utah , and Wyoming . Details of the humerus ( upper arm ) of A. fragilis have been used as diagnostic among Morrison theropods , but the discovery of " A. jimmadseni " indicates that this will no longer be the case at the species level .
A. amplexus was named by Gregory S. Paul for giant Morrison allosaur remains , and included in his conception Saurophagus maximus ( later Saurophaganax ) . A. amplexus was originally coined by Cope in 1878 as the type species of his new genus Epanterias , and is based on what is now AMNH 5767 , parts of three vertebrae , a coracoid , and a metatarsal . Following Paul 's work , this species has been accepted as a synonym of A. fragilis .
Allosaurus material from Portugal was first reported in 1999 on the basis of MHNUL / AND.001 , a partial skeleton including a quadrate , vertebrae , ribs , gastralia , chevrons , part of the hips , and hindlimbs . This specimen was assigned to A. fragilis , but the subsequent discovery of a partial skull and neck ( ML 415 ) near Lourinhã , in the Kimmeridgian @-@ age Porto Novo Member of the Lourinhã Formation , spurred the naming of the new species A. europaeus . It differs from other species of Allosaurus in cranial details . However , more material may show it to be A. fragilis , as originally described .
Daniel Chure 's work on Morrison allosaurid remains has been responsible , directly or indirectly , for " A. jimmadseni " and A. maximus . " A. jimmadseni " is the proposed name for a new species of Morrison allosaur , based on a nearly complete skeleton and skull . A. sp . 2 , as it is also known , differs from A. fragilis in several anatomical details including a jugal or cheekbone with a straight lower margin , and is also found only in the Salt Wash Member of the Morrison Formation , with A. fragilis only present in the higher Brushy Basin Member . A. maximus was coined by David K. Smith for Chure 's Saurophaganax maximus , a taxon created by Chure in 1995 for giant allosaurid remains from the Morrison of Oklahoma . These remains had been known as Saurophagus , but that name was already in use , leading Chure to propose a substitute . Smith , in his 1998 analysis of variation , concluded that S. maximus was not different enough from Allosaurus to be a separate genus , but did warrant its own species , A. maximus . This reassignment was rejected in the most recent review of basal tetanurans .
= = Biological variation , A. atrox , and A. fragilis = =
The perception that there were two common Allosaurus species in the Morrison Formation was popularized in Gregory S. Paul 's 1988 book Predatory Dinosaurs of the World . Paul proposed that A. fragilis had tall pointed horns and a slender build compared to a postulated second species A. atrox , and was not a different gender due to rarity . Allosaurus atrox was originally named by Marsh in 1878 as the type species of its own genus , Creosaurus , and is based on YPM 1890 , an assortment of bones including a couple of pieces of the skull , portions of nine tail vertebrae , two hip vertebrae , an illium , and ankle and foot bones . Although the idea of two common Morrison allosaur species has had support in semi @-@ technical and popular works , it has generally been rejected in the technical literature .
David K. Smith , examining Allosaurus fossils by quarry , found that the Cleveland Lloyd Dinosaur Quarry ( Utah ) specimens are generally smaller than those from Como Bluff ( Wyoming ) or Brigham Young University 's Dry Mesa Quarry ( Colorado ) , but the shapes of the bones themselves did not vary between the sites . A later study by Smith incorporating Garden Park ( Colorado ) and Dinosaur National Monument ( Utah ) specimens found no justification for multiple
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789 and 806 , including the defeat of Pomoy in 789 , and the capture of the ruler Ucha 'an Aj Chih , who appears to have been the vassal of B 'olon K 'awiil of Calakmul . In 799 he rededicated the tomb of Ruler 1 . Ruler 8 oversaw an extensive remodelling of the upper levels of the Acropolis . Ruler 8 erected a number of sculptures of bound prisoners of war and adopted the title aj b 'olon b 'aak , " He of Many Captives " . However , the lesser extent of Toniná 's power is evident from its victory over the site of Sak Tz 'i ' ( White Dog ) , an important city in the Lacandon region , an area which had once been dominated by Toniná .
By the time of Ruler 8 's successor , Uh Chapat , Toniná was clearly in decline . Only a single event , in 837 , can be dated to his reign , although a stucco mural depicting captives with garrottes at their throats may belong to his period of rule .
The history of Toniná continued after most other Classic Maya cities had fallen , perhaps aided by the site 's relative isolation . Ruler 10 is associated with a monument dating to 904 in the Terminal Classic and a monument dating to 909 bears the last known Long Count date although the name of the king has not survived . Ceramic fragments indicate that occupation at the site continued for another century or more .
= = = Modern history = = =
The first published account of the ruins was made by Fray Jacinto Garrido at the end of the 17th century . A number of visitors investigated the ruins of Toniná in the 19th century , the first being an expedition led by Guillaume Dupaix in 1808 . John Lloyd Stephens and Frederick Catherwood visited in 1840 , and Stephens wrote an extensive description of the site . Eduard Seler and Caecilie Seler @-@ Sachs investigated the monuments at Toniná , publishing their reports at the turn of the 20th century . Karl Sapper visited the site in 1895 and 1896 . Frans Blom and Oliver La Farge investigated the site in 1920s for Tulane University , publishing their reports in 1926 — 1927 .
The French Toniná Project began excavations in 1972 which continued through 1975 , then resumed in 1979 to 1980 , under the direction of Pierre Becquelin and Claude Baudez . The National Institute of Anthropology and History of Mexico ( INAH , the Instituto Nacional de Antropologia e Historia ) began their own excavations at Toniná the following year .
The site is accessible for tourism and has a small museum that was inaugurated on 15 July 2000 .
= = Site description = =
The site was built on a platform covering 6 hectares ( 650 @,@ 000 sq ft ) . The principal architecture is located in the acropolis , which occupies seven south @-@ facing terraces on the northern side of the platform , rising 71 metres ( 233 ft ) over the plaza below . It has a more distinct geometry than at most Maya sites , with a right @-@ angle relationship between most structures .
Much of the public imagery of the site details the ruthless manner in which the city dealt with its enemies . A 16 by 4 metres ( 52 by 13 ft ) stucco sculpture rising from the fourth to fifth terraces depicts a skeletal death god carrying the severed head of a lord of Palenque in one hand . A frieze on the fifth terrace probably displayed Toniná 's most distinguished victims , dozens of fragments of this frieze were discovered in the plaza below . This frieze was carved from the local sandstone but its style is that of Palenque , suggesting that captured artists carried out the work .
After the abandonment of the city at the end of the Classic Period , many of the sculptures fell down the steep embankment supporting the seven terraces .
= = = Structures = = =
Ballcourt 1 ( the Sunken Ballcourt ) was dedicated in 699 by K 'inich B 'aaknal Chaak to mark three victories over K 'inich Kan Balam II of Palenque . Sculptures of the torsos of six captured vassals of the Palenque king were used as ballcourt markers . One of these vassals is named as Yax Ahk ( Green Turtle ) , who was the lord of Annay Te ' , a site that probably lay on the south side of the Usumacinta between Piedras Negras and Yaxchilán .
Ballcourt 2 is the smaller of the two ballcourts and lies in the north of the plaza , at the foot of the Acropolis .
The Palace of the Underworld is entered via three step @-@ vaulted arches on the eastern side of the second terrace of the Acropolis .
The Palace of Frets is located on the fourth terrace of the Acropolis . The south facade of the palace is decorated with four large stepped frets . On the east side of the palace a stairway leads to a decorated throne of stone and stucco . One of the rooms of the palace contains a stucco decoration representing feathered serpents and crossed bones .
= = = Monuments and sculptures = = =
The monuments of Toniná tend to be smaller than those
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at other Maya sites , with most of the stelae measuring less than 2 metres ( 6 @.@ 6 ft ) tall . The most important difference from monuments at other Maya sites is that they are carved in the round like statues , often with hieroglyphic text running down the spine . On the fifth terrace , in @-@ the @-@ round sculptures of Toniná 's rulers dominated two @-@ dimensional representations of defeated enemies .
The dated monuments at Toniná span the period from AD 495 to 909 , covering most of the Classic Period .
Monument 3 is broken into various fragments , five of which were recovered from various locations in Ocosingo and Toniná through the course of the 20th century and most of which were reunited in the Toniná site museum . Aside from being broken , the stela is largely complete and only lightly eroded , it is a statue of a ruler with inscriptions describing the accession of K 'inich Baaknal Chaak and the promotion to the priesthood of Aj Ch 'aaj Naah .
Monument 5 was recovered from a school in Ocosingo and moved to the site museum of Toniná . It is a badly eroded life @-@ size human statue with the head missing .
Monument 7 is carved from yellow sandstone and has suffered only minor damage . It is a stela base with well @-@ preserved hieroglyphs on all four vertical sides and was dedicated by K 'inich Ich 'aak Chapat in 728 . It is currently in the Museo Regional in Tuxtla Gutiérrez .
Monument 8 dates to the reign of Ruler 2 . It marks the period ending of 682 and shows the presentation of three war captives .
Monument 12 is a sculpture carved in the round , representing Ruler 2 . It dates to AD 672 .
Monument 27 is a carved step depicting K 'awiil Mo ' , a lord from Palenque , as an elderly prisoner , bound and lying on his back with his profile positioned in such a way as to be trodden on time and again .
Monument 99 is an undated fragment that depicts a female captive , which is rare in Maya art .
Monument 101 has the last Long Count date from any Maya monument , it marks the K 'atun ending of AD 909 .
Monument 106 is the earliest securely dated monument at the site , dating to AD 593 . It depicts Ruler 1 .
Monument 113 depicts Ruler 2 participating in a scattering ritual .
Monument 114 was dedicated in 794 by Ruler 8 . It commemorates the death of an important noble , apparently a relative or vassal of Ruler 8 's predecessor Tuun Chapat .
Monument 122 is a low relief sculpture marking the defeat of Palenque by Ruler 4 in 711 and the capture of Kan Joy Chitam II , who is depicted as a bound captive .
Monument 141 is a very well preserved hieroglyphic panel carved from fine grained white limestone with almost the whole inscription intact . It describes the dedication of a ballcourt by K 'inich B 'aaknal Chaak .
Monument 154 dates to the reign of K 'inich Hix Chapat and records his installing of two subordinate lords in 633 .
Monument 158 has a very late date , in AD 904 , at the very end of the Classic Period . It was erected during the reign of Ruler 10 .
The Frieze of the Dream Lords ( also known as the Frieze of the Four Suns or Frieze of the Four Eras ) was uncovered by archaeologists during excavations in 1992 . It is a stucco mural located at the east end of the 5th terrace . It represents a complex supernatural scene divided into four by a feather @-@ covered scaffold from which hang the severed heads of sacrificial victims . Among the scaffold partitions are depicted the wayob ( spirit companions ) of the Maya elite . The most well @-@ preserved section of the sculpture depicts a skeletal supernatural way named Ak Ok Kimi ( " Turtle Foot Death " ) wearing turtleshells on its feet and carrying a severed head in one hand , interpreted as the way of a lord from the site of Pipa ' . The frieze was once brightly painted in red , blue and yellow . This frieze has strong stylistic parallels with mural paintings at the great Early Classic metropolis of Teotihuacan in the distant Valley of Mexico .
= = = The site museum = = =
The site museum is located 300 metres ( 980 ft ) outside of the Toniná archaeological zone . It possesses 2 exhibition rooms and a conference room . The first room explains the pyramidal form of the acropolis and how it relates to Maya mythology , while the main room contains sculptures of the city 's rulers .
Artefacts in the collection include stone sculptures , ceramics and artefacts sculpted from bone , shell , obsidian and flint . The pieces in the museum graphically depict the two sides of the power exercised by Toniná , on the one hand with sculptures of the city 's rulers and on the other with its depictions of bound prisoners of war .
= Central Area Command ( RAAF ) =
Central Area Command was one of several geographically based commands raised by the Royal Australian Air Force ( RAAF ) during World War II . It was formed in March 1940 , and covered the central portion of New South Wales . Headquartered at Sydney , Central Area Command was primarily responsible for air defence , aerial reconnaissance and protection of the sea lanes within its boundaries . It was disbanded in August 1941 and control of its units taken over by other RAAF formations . Proposals in 1943 – 44 to raise a new Central Area Command did not come to fruition .
= = History = =
Prior to World War II , the Royal Australian Air Force was small enough for all its elements to be directly controlled by RAAF Headquarters in Melbourne . After war broke out in September 1939 , the RAAF began to implement a decentralised form of command , commensurate with expected increases in manpower and
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units . Its initial move in this direction was to create Nos. 1 and 2 Groups to control units in Victoria and New South Wales , respectively . Then , between March 1940 and May 1941 , the RAAF divided Australia and New Guinea into four geographically based command @-@ and @-@ control zones : Central Area , Southern Area , Western Area , and Northern Area . The roles of these area commands were air defence , protection of adjacent sea lanes , and aerial reconnaissance . Each was led by an Air Officer Commanding ( AOC ) responsible for the administration and operations of all air bases and units within his boundary .
No. 2 Group , which had been established on 20 November 1939 , was re @-@ formed as one of the first two area commands , Central Area , on 7 March 1940 . Headquartered in Sydney , Central Area Command was given control of all Air Force units in New South Wales except those in the southern Riverina and the north of the state . Units in Queensland were also temporarily assigned to its control , pending the formation of Northern Area . Central Area 's inaugural AOC was Air Commodore Adrian " King " Cole , who had also led No. 2 Group . His senior air staff officer was Wing Commander Alan Charlesworth .
In May 1940 it was reported that the area 's headquarters building would change from " Mont Loana " in Point Piper to the mansion " Kilmory " nearby . Cole handed over command of Central Area to Air Commodore Bill Anderson in December 1940 . By August 1941 , the RAAF 's expanding instructional program necessitated the establishment of overarching training organisations on a semi @-@ functional , semi @-@ geographical basis . Accordingly , No. 2 ( Training ) Group was formed in Sydney , taking responsibility for the training units then under Central Area , which was disbanded . Control of other Central Area units was " divided as convenient " , according to the official history of the war , between Northern and Southern Area Commands .
= = Aftermath = =
The RAAF 's area command structure was revised in 1942 , following the outbreak of the Pacific War : Northern Area was split into North @-@ Eastern Area and North @-@ Western Area , and a new command covering New South Wales and southern Queensland , Eastern Area , was created , making a total of five commands . In October 1943 , the Air Board proposed carving a new Central Area Command out of Eastern Area , which by then was considered too large to be controlled by one headquarters and therefore ripe for subdivision . This Central Area Command would have been responsible for training and operational units in southern Queensland . The War Cabinet deferred its decision on the proposal . The concept was raised again in August 1944 , and this time the new Central Area Command was to control maintenance units , as well as training and operations , in southern Queensland . Once again , nothing came of the proposal .
= Corn crake =
The corn crake , corncrake or landrail ( Crex crex ) is a bird in the rail family . It breeds in Europe and Asia as far east as western China , and migrates to Africa for the northern hemisphere 's winter . It is a medium @-@ sized crake with buff- or grey @-@ streaked brownish @-@ black upperparts , chestnut markings on the wings , and blue @-@ grey underparts with rust @-@ coloured and white bars on the flanks and undertail . The strong bill is flesh @-@ toned , the iris is pale brown , and the legs and feet are pale grey . Juveniles are similar in plumage to adults , and downy chicks are black , as with all rails . There are no subspecies , although individuals from the east of the breeding range tend to be slightly paler than their western counterparts . The male 's call is a loud krek krek , from which the scientific name is derived . The corn crake is larger than its closest relative , the African crake , which shares its wintering range ; that species is also darker @-@ plumaged , and has a plainer face .
The corn crake 's breeding habitat is grassland , particularly hayfields , and it uses similar environments on the wintering grounds . This secretive species builds a nest of grass leaves in a hollow in the ground and lays 6 – 14 cream @-@ coloured eggs which are covered with rufous blotches . These hatch in 19 – 20 days , and the black precocial chicks fledge after about five weeks . This crake is in steep decline across much of its former breeding range because modern farming practices often destroy nests before breeding is completed . The corn crake is omnivorous but mainly feeds on invertebrates , the occasional small frog or mammal , and plant material including grass seed and cereal grain . Natural threats include introduced and feral mammals , large birds , various parasites and diseases .
Although numbers have declined steeply in western Europe , this bird is classed as least concern on the IUCN Red List because of its huge range and large , apparently stable , populations in Russia and Kazakhstan . Numbers in western China are more significant than previously thought , and conservation measures have facilitated an increased population in some countries which had suffered the greatest losses . Despite its elusive nature , the loud call has ensured the corn crake has been noted in literature , and garnered a range of local and dialect names .
= = Taxonomy = =
The rails are a bird family comprising nearly 150 species . Although origins of the group are lost in antiquity , the largest number of species and least specialised forms are found in the Old World , suggesting this family originated there . The taxonomy of the small crakes is complicated , but the closest relative of the corn crake is the African crake , C. egregia , which has sometimes been given its own genus , Crecopsis , but is now more usually placed in Crex . Both species are short @-@ billed brown birds with a preference for grassland rather than wetland habitats typical of rails . Porzana crakes , particularly the ash @-@ throated crake ( Porzana albicollis ) are near relatives of the Crex genus .
Corn crakes were first described by Linnaeus in his Systema Naturae in 1758 as Rallus crex , but was subsequently moved to the genus Crex , created by German naturalist and ornithologist Johann Matthäus Bechstein in 1803 , and named Crex pratensis . The earlier use of crex gives it priority over Bechstein 's specific name pratensis , and leads to the current name of Crex crex . The binomial name , Crex crex , from the Ancient Greek " κρεξ " , is onomatopoeic , referring to the crake
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Chomsky played an important role in tailoring the passion bequeathed to him by his mother to the necessity of maintaining intellectual rigor .
Finkelstein completed his undergraduate studies at Binghamton University in New York in 1974 , after which he studied at the École Pratique des Hautes Études in Paris . A deep admirer of Paul Sweezy , he was an ardent Maoist and was devastated by the news of the trial of the Gang of Four , an event which " totally devastated " him , and led him to abandon Marxism – Leninism .
Finkelstein received his Master 's degree in political science in 1980 , and later his PhD in political studies , from Princeton . His doctoral thesis was on Zionism . Before gaining academic employment , Finkelstein was a part @-@ time social worker with teenage dropouts in New York . He then taught successively at Rutgers University , New York University , Brooklyn College , and Hunter College and at DePaul University in Chicago . During the First Intifada , he spent every summer from 1988 in the West Bank , a guest of Palestinian families in Hebron and Beit Sahour .
According to The New York Times , Finkelstein left Hunter College in 2001 , " after his teaching load and salary were reduced " by the college administration . In his own recollection , he enjoyed teaching at Hunter ( 1992 – 2000 ) and was ' unceremoniously kicked out of ' the school after begging them to keep him on with just two courses a semester ( $ 12 @,@ 000 a year ) . Hunter set conditions that would have required him to spend four days a week , which he thought unacceptable .
Beginning with his doctoral thesis at Princeton , Finkelstein 's career has been marked by controversy . A self @-@ described " forensic scholar " , he has written sharply critical academic reviews of several prominent writers and scholars whom he accuses of misrepresenting the documentary record in order to defend Israel 's policies and practices . His writings have dealt with politically charged topics such as Zionism , the demographic history of Palestine and his allegations of the existence of a " Holocaust Industry " that exploits the memory of the Holocaust to further Israeli and financial interests .
Citing linguist and political activist Noam Chomsky as an example , Finkelstein notes that it is " possible to unite exacting scholarly rigor with scathing moral outrage , " and supporters and detractors alike have remarked on the polemical style of Finkelstein 's work . Its content has been praised by eminent historians such as Raul Hilberg and Avi Shlaim , as well as Chomsky .
Finkelstein has described himself as " an old @-@ fashioned communist , " in the sense that he " see [ s ] no value whatsoever in states . "
= = Academic career = =
= = = On From Time Immemorial = = =
In Finkelstein 's doctoral thesis , he examined the claims made in Joan Peters 's From Time Immemorial , a best @-@ selling book at the time . Peters 's " history and defense " of Israel deals with the demographic history of Palestine . Demographic studies had tended to assert that the Arab population of Ottoman @-@ controlled Palestine , a 94 % majority at the turn of the century , had dwindled towards parity due to massive Zionist immigration . Peters radically challenged this picture by arguing that a substantial part of the Palestinian people were descended from immigrants from other Arab countries from the early 19th century onwards . It followed , for Peters and many of her readers , that the picture of a native Palestinian population overwhelmed by Jewish immigration was little more than propaganda , and that in actuality two almost simultaneous waves of immigration met in what had been a relatively unpopulated land .
From Time Immemorial had been praised by figures as varied as Barbara Tuchman , Theodore H. White , Elie Wiesel , and Lucy Dawidowicz . Saul Bellow , for one , wrote in a jacket endorsement that :
" Millions of people the world over , smothered by false history and propaganda , will be grateful for this clear account of the origins of the Palestinians . "
Finkelstein asserted that the book was a " monumental hoax " . He later opined that , while Peters 's book received widespread interest and approval in the United States , a scholarly demonstration of its fraudulence and unreliability aroused little attention :
" By the end of 1984 , From Time Immemorial had ... received some two hundred [ favorable ] notices ... in the United States . The only ' false ' notes in this crescendoing chorus of praise were the Journal of Palestine Studies , which ran a highly critical review by Bill Farrell ; the small Chicago @-@ based newsweekly In These Times , which published a condensed version of this writer 's findings ; and Alexander Cockburn , who devoted a series of columns in The Nation exposing the hoax . ... The periodicals in which From Time Immemorial had already been favorably
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091 @-@ 887 @-@ 4 . Chapter Two , Part One :
" Peace process or peace panic ? - The scourge of Palestinian moderation " , Middle East Report , 19 ( 1989 ) 3 / 158 , pp. 25 – 26 @,@ 28 @-@ 30 @,@ 42
" Zionist orientations " , Scandinavian Journal of Development Alternatives 9 ( March 1990 ) 1 @.@ p . 41 @-@ 69
" Bayt Sahur in year II of the intifada . - A personal account " , Journal of Palestine Studies 19 ( Winter 1990 ) 2 / 74 , pp. 62 – 74
" Israel and Iraq . - A double standard " , Journal of Palestine Studies 20 ( 1991 ) 2 / 78 @.@ pp. 43 – 56
" Reflections on Palestinian attitudes during the Gulf war " , Journal of Palestine Studies , 21 ( 1992 ) 3 / 83 , pp. 54 – 70
" Réflexions sur la responsabilité de l ´ État et du citoyen dans le conflit arabo @-@ israélien " ( Reflections on the responsibility of state and citizen in the Arab @-@ Israeli conflict ) , in L ' homme et la société , L 'Harmattan 1994 , 114 , S. 37 @-@ 50
" Whither the `peace process ' ? " , New Left Review , ( 1996 ) 218 , p . 138
" Securing occupation : The real meaning of the Wye River Memorandum " , New Left Review , ( 1998 ) 232 , pp. 128 – 39
Contributor to The Politics of Anti @-@ Semitism . Ed . Alexander Cockburn and Jeffrey St. Clair . AK Press , 2001 ; ISBN 1 @-@ 902593 @-@ 77 @-@ 4 .
" Lessons of Holocaust compensation " , in Palestinian Refugees : The Right of Return . Ed . Naseer Aruri . Pluto Press , 2001 , S. 272 @-@ 275 ; ISBN 0 @-@ 7453 @-@ 1776 @-@ 6 .
" Abba Eban with Footnotes " , Journal of Palestine Studies , vol 32 . ( 2003 ) , pp. 74 – 89
" Prospects for Ending the Occupation " , Antipode , 35 ( 2003 ) 5 , pp. 839 – 45
Contributor to Radicals , Rabbis and Peacemakers : Conversations with Jewish Critics of Israel , by Seth Farber . Common Courage Press , 2005 . ISBN 1 @-@ 56751 @-@ 326 @-@ 3 .
" The Camp David II negotiations . - how Dennis Ross proved the Palestinians aborted the peace process " , Journal of Palestine Studies , vol . 36 ( 2007 ) , pp. 39 – 53
" Dennis Ross and the peace process : subordinating Palestinian rights to Israeli ' needs ' " , Institute for Palestine Studies , 2007 ; ISBN 0 @-@ 88728 @-@ 308 @-@ X
= = Others on Finkelstein and his works = =
= = = Academic reviews of books by Finkelstein = = =
Massad , Joseph . " Deconstructing Holocaust Consciousness " , Review Essay , Journal of Palestine Studies , Vol . 32 , No. 1 . ( Autumn , 2002 ) , pp. 78 – 89 .
Cole , Tim . " Representing the Holocaust in America : Mixed Motives or Abuse ? " , The Public Historian , Vol . 24 , No. 4 . ( Fall , 2002 ) , pp. 127 – 31
Hooglund , Eric . Reviewed work : Image and Reality of the Israel @-@ Palestine Conflict by Norman Finkelstein , Journal of Palestine Studies , Vol . 33 , No. 3 , Special Issue in Honor of Edward W. Said . ( Spring , 2004 ) , pp. 123 – 124 .
Pelham , Nicolas . Reviewed Work : Image and Reality in the Israel @-@ Palestine Conflict. by Norman G. Finkelstein , International Affairs , Vol . 72 , No. 3 , Ethnicity and International Relations . ( July 1996 ) , pp. 627 – 28 .
Pappe , Ilan . " Valuable New Perspectives , " Reviewed Work : Image and Reality of the Israel @-@ Palestine Conflict. by Norman G. Finkelstein , Journal of Palestine Studies , Vol . 26 , No. 4 . ( Summer , 1997 ) , pp. 113 – 15 .
Beinin , Joel . " The Palestinian @-@ Israeli Conflict after Oslo " , Reviewed work : Image and Reality of the Israel @-@ Palestine Conflict by Norman G. Finkelstein . Middle East Report , No. 201 , Israel and Palestine : Two States , Bantustans or Binationalism ? . ( Oct @-@ Dec 1996 ) , pp. 45 – 47 .
= = = Reviews of books by Finkelstein = = =
Blokker , Bas ( review of Beyond Chutzpah ) , NRC Handelsblad , February 24 , 2006 .
Pappe , Ilan ( review of Beyond Chutzpah ) , BOOKFORUM ( February / March 2006 )
De Zayas , Alfred . Review of Beyond Chutzpah in Frankfurter Allgemeine Zeitung ( February 3 , 2006 )
Merkley , Paul Charles . These Pigs on the Face of the Earth : Israel 's most relentless critic ( review of Beyond Chutzpah , in Christianity Today ( January / February 2006 )
Marqusee , Mike . " Israel , fraud and chutzpah " ( review of Beyond Chutzpah ; January 2006 )
Prashad , Vijay . Z magazine reviews Beyond Chutzpah . Review of Beyond Chutzpah . Z Magazine November 2005 Volume 18 , Number 11
Gordon , Neve . Neve Gordon : Review of Norman Finkelstein 's , Beyond Chutzpah . Review of Beyond Chutzpah : On the Misuse of Anti @-@ Semitism and the Abuse of History , by Norman G. Finkelstein . History News Network , October 12 , 2005
Bogdanor , Paul . The Finkelstein Phenomenon ( review of The Holocaust Industry ) , Judaism ( Fall 2002 )
Abse , Tobias . Finkelstein 's Follies : The Dangers of Vulgar Anti @-@ Zionism ( review of The Holocaust Industry ) , whatnextjournal.co.uk ; accessed November 1 , 2015
Bartov , Omer . " A Tale of Two Holocausts " ( review of The Holocaust Industry ) , New York Times Book Review , August 6 , 2000
= = = Profiles of Finkelstein = = =
Garner , Mandy . " The Good Jewish Boys Go into Battle . " Times Higher Education Supplement 16 December 2005 .
Naparstek , Ben . " His Own Worst Enemy . " The Jerusalem Post 12 December 2005 .
Rayner , Jay . " Finkelstein 's List . " The Observer 16 July 2000 .
Sheleg , Yair . " The Finkelstein Polemic . " Ha 'aretz 30 March 2001 .
= = = Critics of Finkelstein and replies = = =
Daniel Goldhagen , The New Discourse of Avoidance at the Wayback Machine ( archived December 4 , 2002 )
Norman Finkelstein , Response to Goldhagen
William Rubinstein et al . , Uses of Holocaust , letters to the London Review of Books
David Friedman , Anti @-@ Defamation League letter at the Wayback Machine , calling Finkelstein a " Holocaust denier "
The Washington Post Publishes a Retraction : Marc Fisher , a Washington Post columnist , publishes a retraction of his charge of " Holocaust revisionism " , archive.org ; accessed November 1 , 2015 .
= = = Video = = =
Norman Finkelstein at the Internet Movie Database
Eight Interviews with Finkelstein ( two sets of four ) , December 2014 and January 2015 , and Three More Interviews with Finkelstein , May 2015 , The Real News
American Radical : The Trials of Norman Finkelstein - broadcast of the documentary in two parts
Resolving the Israel @-
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@ Palestine Conflict : University of British Columbia , Vancouver , Jan 21 , 2009 .
Interview broadcast on Lebanese TV January 20 , 2008
VIDEO : Norman Finkelstein - Israel and Palestine : Roots of Conflict , Prospects for Peace , presentation in Seattle , Washington , May 8 , 2008 .
VIDEO : Norman Finkelstein - The Coming Breakup of American Zionism , presentation in Olympia , Washington , May 8 , 2008 .
VIDEO : Norman Finkelstein at Brown University on YouTube , April 15 , 2008
Doha Debate at the Oxford Union Video of debate on whether the " pro @-@ Israeli lobby has successfully stifled Western debate about Israel 's actions " with Andrew Cockburn , Martin Indyk , and David Aaronovitch , May 1 , 2007
Debate with Shlomo Ben @-@ Ami on Democracy Now ! , February 14 , 2006
Finkelstein Responds to Clinton , Netanyahu AIPAC Comments March 23 , 2010
Israel vs Palestine - featuring Norman Finkelstein ( April 2014 ) , Juice Rap News
= Mutinus elegans =
Mutinus elegans , commonly known as the elegant stinkhorn , the dog stinkhorn , the headless stinkhorn , or the devil 's dipstick , is a species of fungus in the Phallaceae family . A saprobic species , it is typically found growing on the ground singly or in small groups on woody debris or leaf litter , during summer and autumn in Japan , Europe , and eastern North America . The fruit body begins its development in an " egg " form , resembling somewhat a puffball partially submerged in the ground . As the fungus matures , a slender orange to pink colored stalk emerges that tapers evenly to a pointed tip . The stalk is covered with a foul @-@ smelling slimy green spore mass on the upper third of its length . Flies and other insects feed upon the slime which contains the spores , assisting in their dispersal . Due to their repellent odor , mature specimens are not generally considered edible , although there are reports of the immature " eggs " being consumed . In the laboratory , Mutinus elegans has been shown to inhibit the growth of several microorganisms that can be pathogenic to humans .
= = Taxonomy = =
Mutinus elegans was first described by British missionary John Banister in 1679 who chronicled the natural history of Virginia ; this early report is thought to be the first account of a fungus in North America . It was first characterized scientifically by French scientist Jean Pierre François Camille Montagne in 1856 , who called it Corynites elegans . The genus name Mutinus refers to a phallic deity , Mutinus Mutunus , one of the Roman di indigetes placated by Roman brides . The species is commonly known variously as the " elegant stinkhorn " , the " headless stinkhorn " , the " dog stinkhorn " , or the " devil 's dipstick " . The specific epithet elegans is derived from the Latin word meaning " graceful " or " elegant " .
= = Description = =
The young fruiting bodies are initially white and spherical or egg @-@ shaped , partially submerged in the ground , with dimensions of 2 to 3 cm ( 0 @.@ 8 to 1 @.@ 2 in ) by 1 to 2 cm ( 0 @.@ 4 to 0 @.@ 8 in ) . As the fruit body matures , the egg ruptures and the spongy spore @-@ bearing stalk emerges ; fully grown , it may be from 1 to 15 cm ( 0 @.@ 4 to 5 @.@ 9 in ) long and 1 @.@ 5 to 2 cm ( 0 @.@ 6 to 0 @.@ 8 in ) thick . The stalk is hollow and strongly wrinkled overall ; its shape is cylindrical below , but it gradually t
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the show 's early success to the character . However , some of her storylines have been criticized , specifically her romantic relationship with her friend Joey during season ten . Rachel 's popularity established her as the show 's breakout character , who has since been named one of the greatest television characters of all @-@ time , while the character 's second season haircut spawned an international phenomenon of its own . Named the " Rachel " after her , the character 's shag continues to be imitated by millions of women around the world and remains one of the most popular hairstyles in history , in spite of Aniston 's own resentment towards it . Rachel is also regarded as a style icon due to her influence on womenswear during the 1990s . Meanwhile , the character 's relationship with Ross is often cited among television 's most beloved .
Rachel is considered to be Aniston 's breakout role , credited with making her the show 's most famous cast member and for spawning her successful film career . Praised for her performance as Rachel , Aniston won both an Emmy Award for Outstanding Lead Actress in a Comedy Series and a Golden Globe Award for Best Performance by an Actress In A Television Series – Comedy Or Musical .
= = Role = =
Rachel debuts in the pilot episode of Friends as a runaway bride who is distraught after abandoning her fiancé Barry Farber ( Mitchell Whitfield ) at the altar . She locates her high school best friend Monica Geller ( Courteney Cox ) , the only person she knows in New York City , who agrees to let Rachel reside with her while she attempts to reorganize her life . Rachel meets and befriends Monica ’ s friends Phoebe Buffay ( Lisa Kudrow ) , Joey Tribbiani ( Matt LeBlanc ) , and Chandler Bing ( Matthew Perry ) , while reuniting with Monica 's older brother Ross Geller ( David Schwimmer ) , who has harbored unrequited romantic feelings for her since high school . Having previously relied on her parents ' money her entire life with a sole goal of marrying wealthy , Rachel attempts to reinvent herself as an independent young woman by waitressing at Central Perk , a coffeehouse where her new friends regularly socialize .
As season one concludes , Rachel finally confesses her love for Ross , having learned of his feelings for her from Chandler , only to find that he has already begun dating another woman , whom she resents . However , Ross eventually chooses Rachel over his girlfriend Julie ( Lauren Tom ) , and the couple dates for the remainder of the second season . However , their relationship rapidly begins to deteriorate towards the end of the third season after Rachel quits her job at the coffeehouse in favor of working in fashion . While Rachel becomes increasingly preoccupied with her new job , Ross grows jealous of her companionship with her coworker Mark ( Steven Eckholdt ) , ultimately culminating in their break up on their one @-@ year anniversary following a series of heated arguments and disagreements .
In the episodes following the break up , Rachel and Ross are initially hostile towards each other . The exes continue to harbor feelings for each other . During a beach house vacation with their friends , Rachel and Ross briefly reconcile when he ends his relationship with Bonnie ( Christine Taylor ) , only to break up once again due to a disagreement . During season four , Rachel dates her customer Joshua ( Tate Donovan ) , while Ross dates her boss ' niece Emily ( Helen Baxendale ) , to whom he eventually gets engaged . Competitively , Rachel proposes to recent divorcee Joshua , frightening him off . Rachel indirectly contributes to the demise of Ross and Emily 's relationship when he accidentally utters Rachel 's name while exchanging their wedding vows . Ross ultimately divorces a jealous Emily , choosing his friendship with Rachel instead .
At the end of season five , Ross and Rachel drunkenly get married while vacationing with their friends in Las Vegas . In season six , their annulment request is denied because of Rachel having leveled unfounded allegations against Ross , forcing the two to file for a divorce instead . In season seven , Ross and Rachel unwittingly conceive a child when their birth control fails . Rachel gives birth to a girl in season eight , naming the baby Emma Geller @-@ Green ; the name Emma is a gift from Monica , who had previously been reserving the name for her own child . Rachel and Ross live together as non @-@ romantic roommates during the first half of season nine .
Rachel eventually finds a job opportunity in France , but has second thoughts when Ross eventually forfeits stubbornness and says " I love you " . Rachel ultimately decides to stay and reignite her relationship with Ross , getting off the plane at the last minute .
= = Development = =
= = = Conception and writing = = =
After their short @-@ lived television series Family Album was canceled , television writers David Crane and Marta Kauffman pitched Friends to then @-@ NBC president Warren Littlefield as a sitcom about " that special time in your life when your friends are your family , " basing the show on their own experiences as young people living in New York ; the main characters themselves were inspired by their
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a difference . "
= = = Characterisation = = =
Though Wilde deployed characters that were by now familiar — the dandy lord , the overbearing matriarch , the woman with a past , the puritan young lady — his treatment is subtler than in his earlier comedies . Lady Bracknell , for instance , embodies respectable , upper @-@ class society , but Eltis notes how her development " from the familiar overbearing duchess into a quirkier and more disturbing character " can be traced through Wilde 's revisions of the play . For the two young men , Wilde presents not stereotypical stage " dudes " but intelligent beings who , as Jackson puts it , " speak like their creator in well @-@ formed complete sentences and rarely use slang or vogue @-@ words " . Dr Chasuble and Miss Prism are characterised by a few light touches of detail , their old @-@ fashioned enthusiasms , and the Canon 's fastidious pedantry , pared down by Wilde during his many redrafts of the text .
= = = Structure and genre = = =
Ransome argues that Wilde freed himself by abandoning the melodrama , the basic structure which underlies his earlier social comedies , and basing the story entirely on the Earnest / Ernest verbal conceit . Now freed from " living up to any drama more serious than conversation " Wilde could now amuse himself to a fuller extent with quips , bons @-@ mots , epigrams and repartee that really had little to do with the business at hand .
The genre of the Importance of Being Earnest has been deeply debated by scholars and critics alike who have placed the play within a wide variety of genres ranging from parody to satire . In his critique of Wilde , Foster argues that the play creates a world where “ real values are inverted [ and ] , reason and unreason are interchanged " . Similarly , Wilde 's use of dialogue mocks the upper classes of Victorian England lending the play a satirical tone . Reinhart further stipulates that the use of farcical humour to mock the upper classes " merits the play both as satire and as drama " .
= = Publication = =
= = = First edition = = =
Wilde 's two final comedies , An Ideal Husband and The Importance of Being Earnest , were still on stage in London at the time of his prosecution , and they were soon closed as the details of his case became public . After two years in prison with hard labour , Wilde went into exile in Paris , sick and depressed , his reputation destroyed in England . In 1898 , when no @-@ one else would , Leonard Smithers agreed with Wilde to publish the two final plays . Wilde proved to be a diligent reviser , sending detailed instructions on stage directions , character listings and the presentation of the book , and insisting that a playbill from the first performance be reproduced inside . Ellmann argues that the proofs show a man " very much in command of himself and of the play " . Wilde 's name did not appear on the cover , it was " By the Author of Lady Windermere 's Fan " . His return to work was brief though , as he refused to write anything else , " I can write , but have lost the joy of writing " .
On 19 October 2007 , a first edition ( number 349 of 1 @,@ 000 ) was discovered inside a handbag in an Oxfam shop in Nantwich , Cheshire . Staff were unable to trace the donor . It was sold for £ 650 .
= = = In translation = = =
The Importance of Being Earnest 's popularity has meant it has been translated into many languages , though the homophonous pun in the title ( " Ernest " , a masculine proper name , and " earnest " , the virtue of steadfastness and seriousness ) poses a special problem for translators . The easiest case of a suitable translation of the pun , perpetuating its sense and meaning , may have been its translation into German . Since English and German are closely related languages , German provides an equivalent adjective ( " ernst " ) and also a matching masculine proper name ( " Ernst " ) . The meaning and tenor of the wordplay are exactly the same . Yet there are many different possible titles in German , mostly concerning sentence structure . The two most common ones are " Bunbury oder ernst / Ernst sein ist alles " and " Bunbury oder wie wichtig es ist , ernst / Ernst zu sein " . In a study of Italian translations , Adrian Pablé found thirteen different versions using eight titles . Since wordplay is often unique to the language in question , translators are faced with a choice of either staying faithful to the original — in this case the English adjective and virtue earnest — or creating a similar pun in their own language .
Four main strategies have been used by translators . The first leaves all characters ' names unchanged and in their original spelling : thus the name is respected and readers reminded of the original cultural setting , but the liveliness of the pun is lost . Eva Malagoli varied this source @-@ oriented approach by using both the English Christian names and the adjective earnest , thus preserving the pun and the English character of the play , but possibly straining an Italian reader . A third group of translators replaced Ernest with a name that also represents a virtue in the target language , favouring transparency for readers in translation over fidelity to the original . For instance , in Italian , these versions variously call the play L 'importanza di essere Franco / Severo / Fedele , the given names being respectively the values of honesty , propriety , and loyalty . French offers a closer pun : " Constant " is both a first name and the quality of steadfastness , so the play is commonly known as De l 'importance d 'être Constant , though Jean Anouilh translated the play under the title : Il est important d 'être Aimé ( " Aimé " is a name which also means " beloved " ) . These translators differ in their attitude to the original English honorific titles , some change them all , or none , but most leave a mix partially as a compensation for the added loss of Englishness . Lastly , one translation gave the name an Italianate touch by rendering it as Ernesto ; this work liberally mixed proper nouns from both languages .
= = Adaptations = =
= = = Film = = =
Apart from multiple " made @-@ for @-@ television " versions , The Importance of Being Earnest has been adapted for the English @-@ language cinema at least three times , first in 1952 by Anthony Asquith who adapted the screenplay and directed it . Michael Denison ( Algernon ) , Michael Redgrave ( Jack ) , Edith Evans ( Lady Bracknell ) , Dorothy Tutin ( Cecily ) , Joan Greenwood ( Gwendolen ) , and Margaret Rutherford ( Miss Prism ) and Miles Malleson ( Canon Chasuble ) were among the cast . In 1992 Kurt Baker directed a version using an all @-@ black cast with Daryl Keith Roach as Jack , Wren T. Brown as Algernon , Ann Weldon as Lady Bracknell , Lanei Chapman as Cecily , Chris Calloway as Gwendolen , CCH Pounder as Miss Prism , and Brock Peters as Doctor Chasuble , set in the United States . Oliver Parker , an English director who had previously adapted An Ideal Husband by Wilde , made the 2002 film ; it stars Colin Firth ( Jack ) , Rupert Everett ( Algy ) , Judi Dench ( Lady Bracknell ) , Reese Witherspoon ( Cecily ) , Frances O 'Connor ( Gwendolen ) , Anna Massey ( Miss Prism ) , and Tom Wilkinson ( Canon Chasuble ) . Parker 's adaptation includes the dunning solicitor Mr. Gribsby who pursues Jack to Hertfordshire ( present in Wilde 's original draft , but cut at the behest of the play 's first producer ) . Algernon too is pursued by a group of creditors in the opening scene .
= = = Operas and musicals = = =
In 1960 , Ernest in Love was staged Off @-@ Broadway . The Japanese all @-@ female musical theatre troupe Takarazuka Revue staged this musical in 2005 in two productions , one by Moon Troupe and the other one by Flower Troupe .
In 1963 , Erik Chisholm composed an opera from the play , using Wilde 's text as the libretto .
In 1964 , Gerd Natschinski composed the musical Mein Freund Bunbury based on the play , 1964 premiered at Metropol Theater Berlin .
According to a study by Robert Tanitch , by 2002 there had been least eight adaptations of the play as a musical , though
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was performed at the Elizabethan court in 1567 @-@ 8 with the title Jack and Jill and the phrase was used twice by Shakespeare : in A Midsummer Night 's Dream , which contains the line : " Jack shall have Jill ; Nought shall go ill " ( III : ii : 460 @-@ 2 ) and in Love 's Labour 's Lost , which has the lines : " Our wooing doth not end like an old play ; Jack hath not Jill " ( V : ii : 874 – 5 ) , suggesting that it was a phrase that indicated a romantically attached couple , as in the proverb " A good Jack makes a good Jill " .
Jack is the most common name used in English language nursery rhymes and by the 18th century represented an archetypal Everyman hero , while by the end of the Middle Ages Jill or Gill had come to mean a young girl or a sweetheart . However , the woodcut that accompanied the first recorded version of the rhyme showed two boys ( not a boy and a girl ) , and used the spelling Gill not Jill . This earliest printed version comes from a reprint of John Newbery 's Mother Goose 's Melody , thought to have been first published in London around 1765 . The rhyming of " water " with " after " , was taken by Iona and Peter Opie to suggest that the first verse may date from the first half of the 17th century .
= = Interpretation = =
While the true origins of the rhyme are unknown there are several theories . As is common with nursery rhyme exegesis , complicated metaphors are often said to exist within the lyrics of Jack and Jill . Most explanations post @-@ date the first publication of the rhyme and have no corroborating evidence . These include the suggestion by S. Baring @-@ Gould in the 19th century that the events were a version of the story told in the 13th @-@ century Prose Edda Gylfaginning written by Icelandic historian Snorri Sturluson , who stated that in Norse mythology , Hjúki and Bil , brother and sister ( respectively ) , were taken up from the earth by the moon ( personified as the god Máni ) as they were fetching water from the well called Byrgir , bearing on their shoulders the cask called Saegr and the pole called Simul . Around 1835 John Bellenden Ker suggested that Jack and Jill were two priests , and this was enlarged by Katherine Elwes in 1930 to indicate that Jack represented Cardinal Wolsey ( c.1471 – 1530 ) ; and Jill was Bishop Tarbes , who negotiated the marriage of Mary Tudor to the French king in 1514 .
It has also been suggested that the rhyme records the attempt by King Charles I to reform the taxes on liquid measures . He was blocked by Parliament , so subsequently ordered that the volume of a Jack ( 1 / 2 pint ) be reduced , but the tax remained the same . This meant that he still received more tax , despite Parliament 's veto . Hence " Jack fell down and broke his crown " ( many pint glasses in the UK still have a line marking the 1 / 2 pint level with a crown above it ) " and Jill came tumbling after " .
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The reference to " Jill " ( actually a " gill " , or 1 / 4 pint ) is said to reflect that the gill dropped in volume as a consequence .
The suggestion has also been made that Jack and Jill represent Louis XVI of France , who was deposed and beheaded in 1793 ( lost his crown ) , and his Queen , Marie Antoinette ( who came tumbling after ) , a theory made difficult by the fact that the earliest printing of the rhyme pre @-@ dates those events . There is also a local belief that the rhyme records events in the village of Kilmersdon in Somerset in 1697 . When a local spinster became pregnant , the putative father is said to have died from a rock fall and the woman died in childbirth soon after .
= Florida State Road 878 =
State Road 878 ( SR 878 ) , named the Snapper Creek Expressway or the Snapper Creek Tollway for its entire length , is a 2 @.@ 7 @-@ mile @-@ long ( 4 @.@ 3 km ) east – west electronic toll road south of Miami , Florida . The expressway is named for the nearby Snapper Creek which runs parallel to SR 878 . It acts as a spur route of the Don Shula Expressway ( SR 874 ) , providing access to U.S. Route 1 ( US 1 ) near South Miami and local access to the eastern Kendall area while bypassing the Dadeland district . The road is maintained and tolled by the Miami @-@ Dade Expressway Authority ( MDX ) .
= = Route description = =
SR 878 's western terminus is integrated into the Don Shula Expressway 's interchange with Kendall Drive ( SR 94 ) across the boundary of the Kendall and Sunset districts . Motorists entering the Don Shula Expressway northbound from Kendall Drive are given the option of continuing onto SR 874 via a flyover , or else merging into the traffic leaving SR 874 for the Snapper Creek Expressway , which then heads under the Kendall Drive – Don Shula Expressway flyover . The westbound lanes of SR 878 , however , pass over SR 874 's mainline , and are then given an exclusive carriageway beside the southbound lanes for 0 @.@ 46 miles ( 0 @.@ 74 km ) , before merging into SR 874 just north of the
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Kendall Drive overpass . Southbound motorists from the Don Shula Expressway wishing to exit to Kendall Drive merge into this carriageway before leaving for SR 94 with those vehicles originating from the Snapper Creek Expressway . There is no direct connection for southbound motorists on SR 874 to head east on SR 878 ; likewise , westbound motorists on SR 878 cannot head north along SR 874 directly .
From here , SR 878 heads predominantly eastwards as a four @-@ lane @-@ wide expressway through residential neighborhoods for the remainder of its length , generally lying 0 @.@ 5 miles ( 0 @.@ 80 km ) north of Kendall Drive . After approximately 0 @.@ 4 miles ( 0 @.@ 64 km ) , the Snapper Creek Expressway passes through the 87th Avenue toll gantry . It then meets Galloway Road ( SR 973 ) shortly afterwards with a diamond interchange . The expressway then enters Glenvar Heights once it crosses SR 973 and remains in that district for the rest of its duration . Just before passing over the Palmetto Expressway ( SR 826 ) without an interchange ( approximately 1 mile ( 1 @.@ 6 km ) east of Galloway Road ) , SR 878 meets its second and final toll gantry .
About 0 @.@ 3 miles ( 0 @.@ 48 km ) east of the Palmetto Expressway , SR 878 has a partial diamond interchange with Southwest 72nd Avenue , which only allows westbound entry to and eastbound exit from the Snapper Creek Expressway . Immediately afterwards , SR 878 turns to the southeast and prepares to meet its eastern terminus at the South Dixie Highway ( US 1 ) at a surface intersection 0 @.@ 6 miles ( 0 @.@ 97 km ) later , passing under the Metrorail line and associated MetroPath just before doing so . Traffic heading south along US 1 from eastbound SR 878 moves into a slip lane , while that wishing to head north along US 1 enters it at an oblique angle , aided by traffic signals . The only access onto SR 878 westbound from US 1 is for southbound traffic ; motorists heading north along US 1 are guided to SR 878 by signage along Southwest 67th Avenue and Southwest 80th Street .
= = Tolls = =
SR 878 's tolls are entirely electronic : cash cannot be accepted along its length . Payment is done either via SunPass transponders or via toll @-@ by @-@ plate billing , the latter of which attracts a higher cost . Two toll gantries are located along the Snapper Creek Expressway , the first between the Don Shula Expressway and Galloway Road , and the second between Galloway Road and Southwest 72nd Avenue . The relationship between the tolling points and interchanges along SR 878 and SR 874 is that all motorists are charged at least one toll for using the road ; there are no " free sections " . As of July 1 , 2013 , the cost for a two @-@ axle vehicle to travel the entire length of the Snapper Creek Expressway is $ 0 @.@ 50 with a SunPass transponder , or $ 1 @.@ 00 via the toll @-@ by @-@ plate program . Each additional axle on a vehicle attracts an extra $ 0 @.@ 25 via SunPass or $ 0 @.@ 50 via toll @-@ by @-@ plate for each toll gantry passed .
= = History = =
Planning by Dade County for a road named the " Snapper Creek Expressway " was underway as early as 1958 , with a final completion date set as late as 1975 . Funding for SR 878 's construction was made available in 1971 by the Florida Department of
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sweep in the North Sea , which concluded on 27 December without event . Marlborough and the rest of the fleet conducted gunnery drills during 10 – 13 January 1915 west of the Orkneys and Shetlands . On the evening of 23 January , the bulk of the Grand Fleet sailed in support of Beatty 's Battlecruiser Fleet but the rest of the fleet did not become engaged in the ensuing Battle of Dogger Bank the following day .
On 7 – 10 March 1915 , the Grand Fleet conducted a sweep in the northern North Sea , during which it undertook training manoeuvres . Another such cruise took place during 16 – 19 March . On 11 April , the Grand Fleet conducted a patrol in the central North Sea and returned to port on 14 April ; another patrol in the area took place during 17 – 19 April , followed by gunnery drills off the Shetlands on 20 – 21 April . The Grand Fleet conducted a sweep into the central North Sea during 17 – 19 May without encountering German vessels . Another patrol followed during 29 – 31 May ; it too was uneventful . The fleet conducted gunnery training in mid @-@ June . During 2 – 5 September , the fleet went on another cruise in the northern end of the North Sea and conducted gunnery drills . Throughout the rest of the month , the Grand Fleet conducted numerous training exercises .
On 13 October , the majority of the fleet conducted a sweep into the North Sea , returning to port on 15 October . During 2 – 5 November , Marlborough participated in a fleet training operation west of the Orkneys . Another such cruise took place during 1 – 4 December . The typical routine of gunnery drills and squadron exercises occurred in January 1916 . The fleet departed for a cruise in the North Sea on 26 February ; Jellicoe had intended to use the Harwich Force to sweep the Heligoland Bight , but bad weather prevented operations in the southern North Sea . As a result , the operation was confined to the northern end of the sea . On the night of 25 March , Iron Duke and the rest of the fleet sailed from Scapa Flow , to support the Battlecruiser Fleet and other light forces that raided the German zeppelin base at Tondern .
On 21 April , the Grand Fleet conducted a demonstration off Horns Reef to distract the Germans , while the Russian Navy relaid its defensive minefields in the Baltic Sea . The fleet returned to Scapa Flow on 24 April and refuelled , before proceeding south in response to intelligence reports that the Germans were about to launch a raid on Lowestoft . The Grand Fleet did not arrive in the area until after the Germans had withdrawn . During 2 – 4 May , the fleet conducted another demonstration off Horns Reef to keep German attention focused on the North Sea .
= = = = Battle of Jutland = = = =
In an attempt to lure out and destroy a portion of the Grand Fleet , the German High Seas Fleet with 16 dreadnoughts , six pre @-@ dreadnoughts , six light cruisers and 31 torpedo boats commanded by Vice Admiral Reinhard Scheer , departed the Jade early on the morning of 31 May . The fleet sailed in concert with Rear Admiral Franz von Hipper 's five battlecruisers and supporting cruisers and torpedo boats . The Royal Navy 's Room 40 had intercepted and decrypted German radio traffic containing plans of the operation . The Admiralty ordered the Grand Fleet of 28 dreadnoughts and 9 battlecruisers , to sortie the night before to cut off and destroy the High Seas Fleet . On the day of the battle , Marlborough was stationed toward the rear of the British line in the 6th Division of the 1st Battle Squadron .
The initial action was fought primarily by the British and German battlecruiser formations in the afternoon , but by 18 : 00 , the Grand Fleet approached the scene . Fifteen minutes later , Jellicoe gave the order to turn and deploy the fleet for action . The transition from their cruising formation caused congestion with the rear divisions , forcing Marlborough and many of the other ships to reduce speed to 8 knots ( 15 km / h ; 9 @.@ 2 mph ) to avoid colliding with each other . The British ships initially had poor visibility and Marlborough could only faintly make out a group of German Kaiser @-@ class battleships at 18 : 17 . In the span of four minutes , she fired seven salvos , first at 10 @,@ 000 yards ( 9 @,@ 100 m ) and then at 13 @,@ 000 yards ( 12 @,@ 000 m ) . Marlborough 's gunners claimed to have made hits with the 5th and 7th salvos but these claims are unlikely . Her guns were then masked by a burning cruiser , probably the armoured cruiser HMS Warrior .
Marlborough joined the group of battleships battering the German light cruiser SMS Wiesbaden at 18 : 25 . She fired five salvos , before a premature detonation in the right barrel of " A " turret disabled the gun . She also engaged the ship with her secondary battery . At 18 : 39 , Marlborough again engaged what appeared to be a Kaiser @-@ class ship , firing a salvo before the German vessel disappeared into the haze . During the engagement with Wiesbaden , the German cruiser launched one or two torpedoes at around 18 : 45 , one of which struck Marlborough around the starboard diesel generator room . The detonation tore a 28 @-@ foot ( 8 @.@ 5 m ) hole in the hull and causing significant flooding , that forced the forward boilers on that side of the ship to be extinguished and reduced the ship 's speed to 16 knots ( 30 km / h ; 18 mph ) . Burney initially reported to Jellicoe that his ship had struck a mine or had been hit by a torpedo at 18 : 57 . Several more torpedoes , this time from the torpedo boat SMS V48 , forced Marlborough and the rest of the ships in her division to take evasive action .
At 19 : 03 , Marlborough engaged Wiesbaden again , firing four salvos at ranges of 9 @,@ 500 to 9 @,@ 800 yards ( 8 @,@ 700 to 9 @,@ 000 m ) . She hit the German cruiser with probably three shells from the last two salvos and these finally neutralised the ship , although it took several more hours before Wiesbaden sank . Marlborough then shifted fire to the König @-@ class battleships leading the German line at 19 : 12 . She fired thirteen salvos in the span of six minutes at SMS Grosser Kurfürst at ranges of 10 @,@ 200 to 10 @,@ 750 yards ( 9 @,@ 330 to 9 @,@ 830 m ) , scoring three hits , though she incorrectly claimed a fourth hit . During this phase of the battle , Marlborough fired two torpedoes , both of which missed their targets : the first at Wiesbaden at 19 : 10 and the second at SMS Kaiser at 19 : 25 .
By about 19 : 30 , Marlborough 's pumps had contained the flooding in the boiler rooms but she took on a list of around 7 – 8 degrees . Instead of using counter @-@ flooding to minimise the list , her crew attempted to correct the list by using coal and oil from the starboard bunkers first . The list caused the generators supplying power to the main battery turrets to flood , hampering the gun crews , particularly as shells were transferred from the magazines to the turrets . The blast from the torpedo was so powerful that forty watertight compartments were damaged , though the torpedo bulkhead localised most of the damage and the more badly damaged compartments were sufficiently shored up . Three more torpedoes approached Marlborough at 19 : 33 . She evaded the first two and the third harmlessly passed under the ship .
After the opposing fleets disengaged late in the day , the Grand Fleet steamed south in an attempt to cut off the retreating Germans and destroy them the following morning . The 6th Division was slowed down by Marlborough , which could make no more than 15 @.@ 75 kn ( 29 @.@ 17 km / h ; 18 @.@ 12 mph ) by this point . By around 02 : 00 on 1 June , the 6th Division was about 12 nmi (
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qualification . Villa reached the FA Cup final in 2000 but lost 1 – 0 to Chelsea in the last game to be played at the old Wembley Stadium . Again Villa 's league position continued to fluctuate under several different managers and things came to a head in the summer of 2006 when David O 'Leary left in acrimony . After 23 years as chairman and single biggest shareholder ( approximately 38 % ) , Doug Ellis finally decided to sell his stake in Aston Villa due to ill @-@ health . After much speculation it was announced the club was to be bought by American businessman Randy Lerner , owner of NFL franchise the Cleveland Browns .
The arrival of a new owner in Lerner and of manager Martin O 'Neill marked the start of a new period of optimism at Villa Park and sweeping changes occurred throughout the club including a new badge , a new kit sponsor and team changes in the summer of 2007 . The first Cup final of the Lerner era came in 2010 when Villa were beaten 2 – 1 in the League Cup Final . Villa made a second trip to Wembley in that season losing 3 – 0 to Chelsea in the FA Cup semifinal . Just five days before the opening day of the 2010 – 11 season , O 'Neill resigned as manager with immediate effect . The club appointed Gérard Houllier as a replacement in September 2010 , but he stepped down on 1 June 2011 due to ill @-@ health . Houllier was replaced by Birmingham City manager Alex McLeish , despite numerous protests from fans against his appointment ; this was the first time that a manager had moved directly from Birmingham to Villa . McLeish 's contract was terminated at the end of the 2011 – 12 season after Villa finished in 16th place , only just above the relegation zone . On 2 July 2012 , Aston Villa confirmed the appointment of former Norwich City manager Paul Lambert as the replacement for McLeish . On 28 February 2012 , the club announced a financial loss of £ 53 @.@ 9 million . Lerner put the club up for sale on 12 May 2014 , with an estimated value of £ 200 million . With Lerner still on board , in the 2014 – 15 season Aston Villa scored just 12 goals in 25 league games , the lowest in Premier League history , and Lambert was sacked on 11 February 2015 . Tim Sherwood succeeded him , and saved Aston Villa from relegation while also leading them to the 2015 FA Cup Final , but he was sacked in the 2015 – 16 season , as was his successor Rémi Garde . Eric Black took temporary charge of the team , but was not able to prevent Villa from being relegated for the first time since 1987 . On 2 June 2016 , Roberto Di Matteo was announced as the club 's new manager .
= = Colours and badge = =
The club colours are a claret shirt with sky blue sleeves , white shorts with claret and blue trim , and sky blue socks with claret and white trim . They were the original wearers of the claret and blue . Villa 's colours at the outset generally comprised plain shirts ( white , grey or a shade of blue ) , with either white or black shorts . For a few years after that ( 1877 – 79 ) the team wore several different kits from all white , blue and black , red and blue to plain green . By 1880 , black jerseys with a red lion embroidered on the chest were introduced by William McGregor . This remained the first choice strip for six years . On Monday , 8 November 1886 , an entry in the club 's official minute book states :
( i ) Proposed and seconded that the colours be chocolate and sky blue shirts and that we order two dozen .
( ii ) Proposed and seconded that Mr McGregor be requested to supply them at the lowest quotation .
The chocolate colour later became claret . Nobody is quite sure why claret and blue became the club 's adopted colours . Several other English football teams adopted their colours ; clubs that wear claret and blue include West Ham United and Burnley .
A new badge was revealed in May 2007 , for the 2007 – 08 season and beyond . The new badge includes a star to represent the European Cup win in 1982 , and has a light blue background behind Villa 's ' lion rampant ' . The traditional motto
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" Prepared " remains in the badge , and the name Aston Villa has been shortened to AVFC , FC having been omitted from the previous badge . The lion is now unified as opposed to fragmented lions of the past . Randy Lerner petitioned fans to help with the design of the new badge .
On 6 April 2016 , the club confirmed that it will be using a new badge from the 2016 – 17 season after consulting fan groups for suggestions . The lion in the new badge will have claws added to it and the word " Prepared " will be removed to increase the size of the lion and club initials in the badge .
= = = Kit sponsorship = = =
Aston Villa forwent commercial kit sponsorship for the 2008 – 09 and 2009 – 10 seasons ; instead advertising the charity Acorns Children 's Hospice , the first deal of its kind in Premier league history . The partnership continued until 2010 when a commercial sponsor replaced Acorns , with the hospice becoming the club 's Official Charity Partner . In 2014 – 15 , the Acorns name returned to Aston Villa 's home and away shirts , but only for children 's shirts re @-@ affirming the club 's support for the children 's charity .
Since 2015 Villa 's shirt sponsors have been Quickbooks . Previous commercial sponsors have been Davenports ( 1982 – 83 ) , Mita ( 1983 – 93 ) , Müller ( 1993 – 95 ) , AST Computer ( 1995 – 98 ) , LDV ( 1998 – 2000 ) , NTL ( 2000 – 02 ) , Rover ( 2002 – 04 ) , DWS Investments ( 2004 – 06 ) , 32Red.com ( 2006 – 08 ) , FxPro ( 2010 – 11 ) , Genting Casinos ( 2011 – 13 ) , Dafabet ( 2013 – 2015 ) , and Intuit QuickBooks ( 2015 – ) . Since 2016 , kit has been manufactured by Under Armour . Previous manufacturers have been Umbro ( 1972 – 81 , 1990 – 93 ) , le Coq Sportif ( 1981 – 83 ) , Henson ( 1983 – 87 ) , Hummel ( 1987 – 90 , 2004 – 07 ) , Asics ( 1993 – 95 ) , Reebok ( 1995 – 2000 ) , Diadora ( 2000 – 04 ) , Nike ( 2007 – 12 ) and Macron ( 2012 @-@ 16 ) .
= = Stadium = =
Aston Villa 's current home venue is Villa Park , which is a UEFA 5 @-@ star rated stadium , having previously played at Aston Park ( 1874 – 1876 ) and Wellington Road ( 1876 – 1897 ) . Villa Park is the largest football stadium in the English Midlands , and the eighth largest stadium in England . It has hosted 16 England internationals at senior level , the first in 1899 , and the most recent in 2005 . Thus , it was the first English ground to stage international football in three different centuries . Villa Park is the most used stadium in FA Cup semi @-@ final history , having hosted 55 semi @-@ finals . The club have planning permission to extend the North Stand ; this will involve the ' filling in ' of the corners to either side of the North Stand . If completed , the capacity of Villa Park will be increased to approximately 51 @,@ 000 .
The current training ground is located at Bodymoor Heath near Kingsbury in north Warwickshire , the site for which was purchased by former chairman Doug Ellis in the early 1970s from a local farmer . Although Bodymoor Heath was state @-@ of @-@ the @-@ art in the 1970s , by the late 1990s the facilities had started to look dated . In November 2005 , Ellis and Aston Villa plc announced a state of the art GB £ 13 million redevelopment of Bodymoor in two phases . However , work on Bodymoor was suspended by Ellis due to financial problems , and was left in an unfinished state until new owner Randy Lerner made it one of his priorities to make the site one of the best in world football . The new training ground was officially unveiled on 6 May 2007 , by then manager Martin O 'Neill , then team captain Gareth Barry and 1982 European Cup winning team captain Dennis Mortimer , with the Aston Villa squad moving in for the 2007 – 08 season .
It was announced on 6 August 2014 , that Villa Park would appear in the FIFA video game from FIFA 15 onwards , with all other Premier League stadiums also fully licensed from this game onwards .
= = Ownership
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= =
The first shares in the club were issued towards the end of the 19th century as a result of legislation that was intended to codify the growing numbers of professional teams and players in the Association Football leagues . FA teams were required to distribute shares to investors as a way of facilitating trading among the teams without implicating the FA itself . This trading continued for much of the 20th century until Ellis started buying up many of the shares in the 1960s . He was chairman and substantial shareholder of " Aston Villa F.C. " from 1968 to 1975 and the majority shareholder from 1982 to 2006 . The club were floated on the London Stock Exchange ( LSE ) in 1996 , and the share price fluctuated in the ten years after the flotation . In 2006 it was announced that several consortia and individuals were considering bids for Aston Villa .
On 14 August 2006 , it was confirmed that Randy Lerner , then owner of the National Football League 's Cleveland Browns , had reached an agreement of £ 62 @.@ 6 million with Aston Villa for a takeover of the club . A statement released on 25 August to the LSE announced that Lerner had secured 59 @.@ 69 % of Villa shares , making him the majority shareholder . He also appointed himself Chairman of the club . In Ellis 's last year in charge Villa lost £ 8.2m before tax , compared with a £ 3m profit the previous year , and income had fallen from £ 51.6m to £ 49m . Lerner took full control on 18 September , as he had 89 @.@ 69 % of the shares . On 19 September 2006 , Ellis and his board resigned to be replaced with a new board headed by Lerner . Lerner installed Charles Krulak as a non @-@ executive director and Ellis was awarded the honorary position of Chairman Emeritus .
Lerner put the club up for sale in May 2014 , valuing it at an estimated £ 200 million .
On 18 May 2016 , Randy Lerner agreed the sale of Aston Villa to Recon Group , owned by Chinese businessman Xia Jiantong . The sale was completed on 14 June 2016 for a reported £ 76 million after being approved by the Football League , with the club becoming part of Recon Group 's Sport , Leisure and Tourism division . Recon Group were selected to take over Aston Villa following a selection process by the club .
= = Social responsibility = =
Aston Villa have a unique relationship with the Acorns Children 's Hospice charity that is groundbreaking in English football . In a first for the Premier League , Aston Villa donated the front of the shirt on their kit , usually reserved for high @-@ paying sponsorships , to Acorns Hospice so that the charity would gain significant additional visibility and greater fund raising capabilities . Outside of the shirt sponsorship the club have paid for hospice care for the charity as well as regularly providing player visits to hospice locations .
In September 2010 , Aston Villa launched an initiative at Villa Park called Villa Midlands Food ( VMF ) where the club will spend two years training students with Aston Villa Hospitality and Events in association with Birmingham City Council . The club will open a restaurant in the Trinity Road Stand staffed with 12 students recruited from within a ten @-@ mile ( 16 km ) radius of Villa Park with the majority of the food served in the restaurant sourced locally .
= = Supporters and rivalries = =
Aston Villa have a large fanbase and draw support from all over the Midlands and beyond , with supporters ' clubs all across the world . Former Villa chief executive Richard Fitzgerald has stated that the ethnicity of the supporters is currently 98 % white . When Randy Lerner 's regime took over at Villa Park , they aimed to improve their support from ethnic minorities . A number of organisations have been set up to support the local community including Aston Pride . A Villa in the Community programme has also been set up to encourage support among young people in the region . The new owners have also initiated several surveys aimed at gaining the opinions of Villa fans and to involve them in the decision making process . Meetings also occur every three months where supporters are invited by ballot and are invited to ask questions to the Board . In 2011 , the club supported a supporter @-@ based initiative for an official anthem to boost the atmosphere at Villa Park . The song "
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Day , " a duet with Boyz II Men , Carey appeals to both audiences equally because of the sheer amount of craft and hard work she puts into her albums . Daydream is her best record to date , featuring a consistently strong selection of songs and a remarkably impassioned performance by Carey . Daydream demonstrates that Carey continues to perfect her craft , and that she has earned her status as an R & B / pop diva . " In his review for the album , Ken Tucker from Entertainment Weekly called Daydream " her best record since her 1990 debut " , writing , " in fact , it 's easily the best collection Carey has put out since her self @-@ titled 1990 debut , the album Daydream most resembles in its emphasis on R & B grooves . " Tucker specifically complimented " One Sweet Day " , " Always Be My Baby " , " Forever " , and " Daydream Interlude " ( Fantasy Sweet Dub Mix ) , writing " One Sweet Day , her collaboration with Boyz II Men , radiates a breezy sexiness that Carey , for all the brazen hussiness of her public persona , rarely permits herself to reveal in song . I like the relaxed swing of " Always Be My Baby " , and the brisk waltz tempo of Forever . However , it 's on what many Carey fans will probably find the most throwaway cut , " Daydream Interlude ( Fantasy Sweet Dub Mix ) " , that the singer really defines herself . At her best , as she is on this clipped , spunky track , Carey is a disco diva for the ' 90s , a worthy successor to trailblazing women like Donna Summer and Vicki Sue Robinson , R & B singers with an affinity for the endless groove . "
Stephen Holden , editor of The New York Times , gave the album a positive review . Holden wrote the following regarding Daydream " Ms. Carey 's songwriting has taken a leap forward , becoming more relaxed , sexier , and less reliant on thudding cliches . " Holden praised " Fantasy " , which he wrote " with ' Fantasy , ' Ms. Carey glides confidently into the territory where gospel @-@ flavored pop @-@ soul meets light hip @-@ hop and recorded some of the most gorgeously spun choral music to be found on a contemporary album . " Additionally , he complimented " One Sweet Day , " " Melt Away , " " Always Be My Baby " , and " Underneath the Stars " , calling them " the best on the album " . People gave the album a positive review , calling it " her fourth and best album . " Additionally , People praised the album and its songs , writing " Daydream vaults over its pop predecessors because the material is both funkier and mellower . Carey also has better control of her instrument — her voice evincing greater muscularity and agility . She still pours it on a little thick at times when it comes to fervor , as on the midtempo ' Melt Away , ' which Carey co @-@ wrote with Babyface . For the most part she buzzes from strength to strength , from the bravura belting on ' One Sweet Day , ' a duet with Boyz II Men , to the rich gospel feel of ' I Am Free , ' which has a mood so churchy you can almost hear the ladies ' handheld fans snapping . " While the album was positively reviewed by critics , Carey 's cover of Journey 's 1982 song " Open Arms " was universally panned . Stephen Thomas Erlewine criticized the song , calling it " second rate " . " Open Arms " received a negative review from Stephen Holden as well , who called it a " sobbing remake " .
= = Chart performance = =
Daydream entered the Billboard 200 at number one , with 224 @,@ 000 copies sold , staying at the top spot the following week with 216 @,@ 000 copies sold , for a third consecutive week , it topped the charts with 170 @,@ 000 copies sold . It gained power again in the upcoming weeks of holiday sales where it peaked in the year 's last weeks with 486 @,@ 000 and 760 @,@ 000 units sold at the pinnacle . The album moved 760 @,@ 000 copies during the Christmas week of 1995 , the album 's highest sales week . It also reached number one on Top R & B / Hip @-@ Hop Albums chart . Daydream was the second best @-@ selling album of 1996 , and the eighteenth best @-@ selling album on the 1990s decade in the US . In the United States , Daydream became Carey 's best @-@ selling album , being certified diamond by the RIAA ( RIAA ) , denoting shipments of ten million copies .
In Canada , Daydream peaked at number two on the charts , and was certified seven @-@ times platinum by the Canadian Recording Industry Association ( CRIA ) . The album experienced success in Europe , where it reached number one in Germany , The Netherlands , Switzerland and the United Kingdom . In France , Daydream peaked at number two and was certified double @-@ platinum by the Syndicat National de l 'Édition Phonographique ( SNEP ) . Sales in France are estimated at 800 @,@ 000 copies . Daydream was certified triple @-@ platinum by the International Federation of the Phonographic Industry ( IFPI ) , denoting shipments of three million copies throughout Europe in 1996 .
In Australia , Daydream was certified five @-@ times platinum by the Australian Recording Industry Association ( ARIA ) , denoting shipments of 350 @,@ 000 copies . The album finished ninth on the ARIA End of Year Charts in both 1995 and 1996 . In Japan , the album debuted at number one on the Oricon charts . According to the Oricon , Daydream made the top five of the best @-@ selling albums in Japan by a non @-@ Asian artist , with 2 @.@ 5 million copies sold . Daydream remains one of the best @-@ selling albums of all time , with sales of 25 million copies worldwide .
= = Singles = =
Six singles were released from Daydream . " Fantasy " was released as the album 's lead single on September 12 , 1995 . The song debuted at number one on the Billboard Hot 100 , making Carey the first female artist , and the second performer ever to accomplish the feat . The song spent eight consecutive weeks atop the chart , as well as topping the charts in Australia , Canada and New Zealand . In Europe , " Fantasy " performed well , peaking within the top five in Belgium , Finland , France , and the United Kingdom . " Fantasy " was the second best @-@ selling single of 1995 in the US , with sales of 1 @.@ 5 million in 95 ' alone . " One Sweet Day " was chosen as the follow @-@ up single , achieving similar success . The song once again debuted at the top of the US charts , and became the longest running number one single in US history , spending sixteen consecutive weeks atop the Billboard charts . The song became a success in other regions around the world as well , topping the charts in Canada and New Zealand and peaked within the top five in Australia , France , Ireland , and The Netherlands . Serving as the album 's third single in select European countries , " Open Arms " was released on December 5 , 1995 . The song achieved success in the UK , Ireland and New Zealand , where it peaked at number four , seven and eight . However , " Open Arms " charted weakly in other European countries , such as Belgium , France , and Germany , where it charted outside the top @-@ thirty .
" Always Be My Baby " was released as the fourth single . The song debuted at number two on the Hot 100 , failing to become Carey 's third number one debut ( a feat she would accomplish with " Honey " in 1997 ) . The song eventually reached and stayed atop the charts for two weeks , and then kept steady at number two for nine weeks . " Always Be My Baby " performed moderately in other major markets . The song peaked within the top five in Canada , New Zealand and the UK , but charted outside the top @-@ ten elsewhere . " Forever " was chosen as the fifth single from Daydream . The song was ineligible to chart in the Hot 100 , but managed to crack the top @-@ ten on the Hot 100 airplay chart . " Forever " charted well in Canada , where it peaked at number thirteen
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is a 9 / 10 rating , stating " Next time she plays Manchester , it will be to a sold out Academy 2 audience , with a top @-@ selling album gracing the merchandising stand . Marina won 't be playing to a few hundred people above a trendy bar in the foreseeable future " .
= = Critical reception = =
The Family Jewels received mostly positive reviews . At Metacritic , which assigns a normalised rating out of 100 to reviews from mainstream critics , the album received an average score of 68 , based on 21 reviews , which indicates " generally favorable reviews " .
Hugh Montgomery of Q magazine noted that the singer 's " imaginative reach " was " complemented by a winning pop savviness " , while Luke O 'Neil from The Phoenix stated that " [ t ] he likes of Kate Nash and company have flitted through this piano siren / exuberant dance @-@ diva territory , but never mind , because this gorgeous genre starts now . " Leonie Cooper from NME rated the album nine out of ten stars , finding flaw only in the titles of " Shampain " and " Hermit the Frog " .
More mixed reviews were critical of Diamandis ' vocal delivery . Lou Thomas from BBC Music commented that " [ t ] he consistently diverting changes in style across the album are fine — the wonky 80s shoulder @-@ pad pop of ' The Outsider ' is nothing like anything else here , for example . But over 13 songs of Sparks @-@ voice and many similar staccato piano riffs listeners may feel bludgeoned by Marina and her slightly overbearing presence " , concluding that her eccentric vocals would polarise opinions . Sean O 'Neal wrote on The AV Club that after " dozens of squeaky Regina Spektor @-@ ish enunciations " and " Kate Bush trills " , the " overbearing need to prove herself just ends up being exhausting " . Joe Rivers of No Ripcord praised " Are You Satisfied ? " , " Hollywood " and " Oh No ! " but was put off by sudden " howling " in " Hermit the Frog " and a " throaty growl " in " The Outsider " .
A negative review came from The Independent 's Andy Gill who considered " Shampain " and " Hermit the Frog " as " every bit as annoying as their punning titles , with queasy , prancing piano and synth figures " . He found certain vocal techniques in " Mowgli 's Road " and " I Am Not a Robot " to be " infantile " , and evaluated the lyrics of " Girls " and " Hollywood " as shallow . Gill added that the content of " Rootless " , " Obsessions " and " The Outsider " did not match with what would be expected from the titles .
The NME placed the album at number 33 on its list of the Top 75 Albums of 2010 .
= = Commercial performance = =
The Family Jewels debuted at number five on the UK Albums Chart with first @-@ week sales of 27 @,@ 618 copies . It remains Diamandis ' best @-@ selling debut week , after her second studio album Electra Heart entered the chart at number one with first @-@ week sales of 21 @,@ 358 units . The Family Jewels was later certified gold by the British Phonographic Industry , and had sold 195 @,@ 358 copies in the United Kingdom as of April 2015 . The record debuted at number seven in Greece and number nine in Ireland ; it was eventually certified gold by the Irish Recorded Music Association .
The Family Jewels performed moderately on several international record charts . The record reached number 12 on the German Media Control Charts , and entered the Ö3 Austria Top 40 at number 18 . It peaked at number 88
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on the Dutch MegaCharts , number 100 on the Swiss Hitparade , and number 132 in France . In Oceania , the album reached number 79 on the Australian ARIA Charts . With first @-@ week sales of 4 @,@ 000 copies in the United States , The Family Jewels entered the Billboard 200 at number 138 ; furthermore , it respectively charted at numbers 2 and 49 on the Billboard Top Heatseekers and Top Rock Albums charts .
In an interview for Australian radio in January 2011 , Diamandis said that her career that far had been " more like a failure than a success " , particularly in the American market . She attributed this to the inaction of Chop Shop Records , her label in the United States , as well as a move in musical tastes to " pumping beats " by artists like Lady Gaga . She cancelled performances in the United States in order to begin work on a new album .
= = Track listing = =
Credits adapted from the liner notes of The Family Jewels .
Notes
^ a signifies an additional producer
^ b signifies an original producer
^ c signifies a remixer
= = Credits and personnel = =
Credits adapted from the liner notes of The Family Jewels .
= = Charts = =
= = Certifications = =
= = Release history = =
= 1981 Peach Bowl ( January ) =
The 1981 Peach Bowl was a post @-@ season American college football bowl game between the Virginia Tech Hokies and the Hurricanes from the University of Miami at Fulton County Stadium in Atlanta , Georgia on January 2 , 1981 . The game was the final contest of the 1980 NCAA Division I @-@ A football season for both teams , and ended in a 20 @-@ 10 victory for Miami . Another game by the same name followed the 1981 NCAA Division I @-@ A football season and was played in December , 1981 .
Virginia Tech was awarded a bid to the Peach Bowl as a reward for finishing 8 – 3 during the regular season , a record that included wins over nationally ranked teams such as the Clemson Tigers and the Virginia Cavaliers . Facing Virginia Tech was a familiar post @-@ season opponent — Miami — whom the Hokies had played in the 1966 Liberty Bowl , Tech 's last bowl appearance prior to the Peach Bowl . Miami finished the regular season with an 8 – 3 record , including wins over Florida State and Florida .
The game kicked off at 3 : 00 p.m. EST under sunny skies and in temperatures of 46 ° F ( 8 ° C ) . Unlike the 1966 Liberty Bowl , in which Virginia Tech scored first , it was Miami who dominated the game 's early going . The Hurricanes scored a touchdown on the first drive of the game and tacked on another touchdown early in the second quarter . Tech was held scoreless in the early going , thanks to two Miami interceptions at the goal line as Virginia Tech was threatening to score . Late in the second quarter , Tech was finally able to get on the scoreboard with a field goal , but at halftime , the Miami Hurricanes led 14 – 3 . After halftime , the Hokies threatened Miami for the first time all game . Virginia Tech mounted an 80 @-@ yard drive that resulted in a touchdown , cutting Miami 's lead to 14 – 10 . But the Hurricanes ' defense clamped down on any further offensive attempts by Virginia Tech and denied the Hokies more points . Miami added two field goals : one in the third quarter and one in the fourth quarter that finally put the game out of reach for Virginia Tech . Miami 's win was its first bowl victory since the 1966 Liberty Bowl , which also featured a Hurricane victory over Virginia Tech .
= = Team Selection = =
= = = Miami = = =
The Miami Hurricanes came into the 1980 college football season after an 5 – 6 season in 1979 under head coach Howard Schnellenberger . During that season , the team was nicknamed the " Jet Lag Kids " after they traveled an NCAA @-@ record 28 @,@ 000 miles ( 45 @,@ 000 km ) , including a trip to the Mirage Bowl in Tokyo , Japan . While impressive , the season wasn 't as successful as hoped , and Schnellenberger began his second season as coach hoping to improve upon the 5 – 6 effort despite what was the toughest schedule — in terms of opponents ' winning percentage — in the country .
Miami got off to a good start doing just that as it raced out to four consecutive wins to begin the season , including a victory over nationally ranked rival No. 9 Florida State . On October 11 , however , Miami traveled to South Bend , Indiana , to face the Notre Dame Fighting Irish and suffered its first loss of the season to the undefeated Irish , who would go on to be ranked No. 1 in the country . This defeat was followed in succession by two others , but the Hurricanes were able to stop the slide on November 8 with a homecoming win over East Carolina . Miami added two more wins before the end of the season , and brought the regular season to a close with an overall record of 8 – 3 .
= = = Virginia Tech = = =
The Virginia Tech Hokies , like Miami , entered the 1980 season after accumulating a 5 – 6 record in 1979 . Though the Hokies traveled far less than Miami , they also hoped to improve upon their losing record . Tech was coached by Bill Dooley , who was entering his third season as head coach .
Like Schnellenberger , he got his team off to a fast start . In the season opener , Tech traveled to North Carolina to face the Wake Forest Demon Deacons . Wake Forest had attended the Tangerine Bowl the previous year and was favored in the game against Tech . Despite those facts , the Hokies won , 16 – 7 . Virginia Tech won its first four games of the regular season before falling to the nationally ranked Clemson Tigers on October 4 . Tech recovered from the loss , defeating Rhode Island , then Virginia before a then @-@ state record crowd of 52 @,@ 000 people , but lost a second game , to Richmond on October 25 . The Hokies split their final three games of the regular season , winning two and losing one , and finished with a regular season record of 8 – 3 . Tech 's 6 – 0 record at Lane Stadium — its home stadium — was the best in school history . Tech 's selection by the Peach Bowl was announced in the locker room following the team 's final regular season game . The Peach Bowl representative present was mobbed by celebrating players chanting " Peach Bowl ! Peach Bowl ! " The representative later said , " I 've never seen a wilder celebration . "
= = Pregame buildup = =
= = = Miami offense = = =
The Miami Hurricanes entered the Peach Bowl with a record @-@ breaking offense that set the school mark for the most accumulated yards in school history with a total offensive mark of 3 @,@ 756 yards . Leading the aerial portion of the Miami offense was sophomore quarterback Jim Kelly , who completed 109 of 206 passes for 1 @,@ 519 yards , 11 touchdowns , and seven interceptions . Kelly 's 11 touchdowns tied the Miami record for most touchdowns in a season at that time . Kelly 's favorite receiver was wide receiver Larry Brodsky , who caught 33 passes for 570 yards and three touchdowns during the regular season . One of Brodsky 's touchdowns came on an 81 @-@ yard reception that tied the longest pass reception in the history of Miami football to that point .
The Hurricanes ' ground offense was led by running back Smokey Roan , who carried the ball 152 times for 669 yards and five touchdowns . Roan was assisted by an able offensive line . Miami offensive tackle John Canei was named as an honorable mention to the Associated Press All @-@ America team , which recognizes the best college football players in the country .
= = = Miami defense = = =
Miami 's defense shut out one opponent , and held six other opponents to single touchdowns or field goals . Middle guard Jim Burt was one of the Hurricanes ' defensive leaders , recovering four fumbles in a single game during the regular season . In recognition of this and other performances , Burt was named to the Associated Press All @-@ America list . Also recognized was defensive back Fred Marion , who was named an honorable mention to the All @-@ America list . Marion intercepted seven passes during the regular season , tying him for second in Miami history for the most interceptions in a season .
= = = Virginia Tech offense = = =
Throughout the regular season , Virginia Tech 's offense was led by running back Cyrus Lawrence , who accumulated what was then a school record of
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1 @,@ 221 yards during the regular season . He also set a record for most carries by a Tech player in a season with 271 . Tech quarterback Steve Casey was called the " key man in the Tech offense . " Casey was Tech 's starting quarterback and completed 97 of 176 passes during the regular season for 1 @,@ 119 yards and 13 touchdowns . At the time , he ranked second among Tech 's career passing leaders , and was considered to be an offensive threat .
Casey 's favorite target was wide receiver Sidney Snell , who caught a Tech @-@ record eight touchdown receptions during the regular season . Snell accounted for 568 yards on 43 receptions of all types . Tight end Rob Purdham only caught seven passes during the regular season , but four of the catches were for touchdowns .
= = = Virginia Tech defense = = =
The Tech defense was ranked among the top five in the country during the regular season , and set a school record for fewest points allowed during an 11 @-@ game regular season . Tech permitted just 109 points during the season , and allowed only 11 touchdowns in 11 games .
The leading tackler on the Tech defense was freshman linebacker Ashley Lee , who accumulated 95 tackles during the regular season . Lee was one of two freshman linebackers for the Hokies during their record @-@ breaking defensive season .
Virginia Tech 's defense also featured Robert Brown , who accumulated 10 tackles , including two quarterback sacks , in the Hokies ' regular @-@ season finale against the Virginia Military Institute . Tech head coach Bill Dooley lobbied in vain for Brown 's inclusion in the annual All @-@ America list recording the best college football players in the country , saying , " Robert Brown is an All @-@ American football player ... but because he was a transfer student , he received no preseason buildup . ... I guarantee the people who have seen him know he 's an All @-@ American . " Brown finished the regular season with 61 tackles , broke up four passes , and recovered three fumbles .
= = Game summary = =
The 1981 Peach Bowl kicked off at 3 p.m. EST on January 2 , 1981 , at Fulton County Stadium in Atlanta , Georgia in front of a crowd estimated at 45 @,@ 384 people . More than 14 @,@ 000 of those present were estimated to be fans of Virginia Tech . Weather at kickoff was sunny , with a temperature of 46 ° F ( 8 ° C ) and a north @-@ northwest wind estimated at 14 miles per hour ( 23 km / h ) . The game was televised nationally on CBS , with Curt Gowdy , Hank Stram , and Frank Gleiber serving as the announcers for the television broadcast . William Parkinson was the referee , Robert Aebersold was the umpire , and the linesman was Richard Farina . Miami won the traditional pregame coin toss used to decide first possession and elected to receive the ball to begin the game .
= = = First quarter = = =
After the Virginia Tech kickoff and a short return , Miami began the first drive of the game at its 32 @-@ yard line . The game 's first play was an incomplete pass from Miami quarterback Jim Kelly . After a one @-@ yard rush , Kelly completed his first pass of the game , an 18 @-@ yard toss that drove Miami to the Tech 49 @-@ yard line and gave the Hurricanes a first down . Miami then committed a 15 @-@ yard penalty , pushing the Hurricanes back into their side of the field . On the second play after the penalty , Kelly completed a 29 @-@ yard pass that gave Miami a first down . The Hurricanes were further aided by a 15 @-@ yard roughing the passer penalty against Virginia Tech , giving Miami a first down at the Tech 20 @-@ yard line . From there , it took Miami just three plays to score a touchdown , the final play being a 15 @-@ yard pass from Kelly to Larry Brodsky . With 12 : 37 remaining in the quarter , Miami took a 7 – 0 lead .
Following Miami 's post @-@ touchdown kickoff , Virginia Tech began its first offensive possession of the game at its 24 @-@ yard line . A three @-@ yard rush from fullback Scott Dovel was followed by two rushes from Tech 's Cyrus Lawrence : one for eight yards and a second for 17 more . These drove Tech into Miami territory and gave the Hokies a first down . Once there , however , Miami 's defense stiffened and Tech was forced to punt . Miami recovered the ball at its 12 @-@ yard line , and the Hurricanes began their second possession of the game . Fullback Chris Hobbs and running back Smokey Roan alternated carries , picking up yardage and first downs before entering Virginia Tech territory . On the Hurricanes ' first play on Tech 's side of the field , however , Miami committed two penalties , pushing the Hurricanes back 20 yards . Following the penalties , Miami was unable to pick up a
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first down and punted back to the Hokies .
Tech recovered the punt at its 30 @-@ yard line and began its second possession . Lawrence rushed for five yards , and Miami committed a five @-@ yard offsides penalty , giving Tech a first down by penalty . Dovel and Lawrence then combined for another first down after two plays . Tech was unable to gain another first down and punted the ball away . Attempting to field the ball , Miami 's Fred Marion fumbled the ball , which was recovered by a Tech defender at the Miami 25 @-@ yard line . Despite beginning with excellent field position , Tech was unable to score . On the first play after the fumble recovery , Tech attempted to run a trick play involving a pass by Lawrence . The pass was intercepted by a Miami defender at the Hurricanes ' one @-@ yard line , and Miami 's offense returned to the field .
From their one @-@ yard line , the Hurricanes ran a short rush up the middle , then Kelly connected on a 28 @-@ yard pass to tight end Mark Cooper for a first down . Three short rushes by fullback Speedy Neal resulted in 12 yards and a first down . With time running out in the quarter , Kelly attempted and completed a 27 @-@ yard pass to wide receiver Rocky Belk , driving the Hurricanes to the Tech 30 @-@ yard line and bringing the quarter to an end . Miami led , 7 – 0 at the end of the first quarter .
= = = Second quarter = = =
Miami began the second quarter in possession of the ball and facing a first down at the Virginia Tech 30 @-@ yard line . From there , it took Miami just four plays to score . Roan ran for seven yards , Kelly completed an 11 @-@ yard pass , threw an incomplete pass , then Hobbs ran 12 yards for the touchdown . The score and following extra point gave Miami a 14 – 0 lead with 13 : 47 remaining before halftime .
Virginia Tech received the post @-@ touchdown kickoff and was promptly penalized 10 yards for an illegal block during the kickoff . Despite the initial setback , Tech made good the penalty with two passes from quarterback Steve Casey . After gaining one first down , the Hokies gained several more with a combination of passes from Casey and rushes from Lawrence . Tech drove into Miami territory and penetrated the Hurricanes ' red zone , in the process gaining a first down after facing a fourth down near midfield . Attempting to pass for a touchdown , however , Casey threw an interception at the goal line to a Miami defender . The Hurricanes thus again denied Tech a scoring opportunity and the Miami offense began anew .
The Hurricanes picked up a first down on one rush each from Hobbs and Roan , but were unable to gain another . After a Miami punt , Tech returned to offense from its 46 @-@ yard line . Casey picked up a first down on a pass , then gained another after a seven @-@ yard scramble that followed a three @-@ yard rush by Lawrence . Lawrence then gained a first down on his own after rushing for nine yards and five yards , driving the Hokies to the Miami 15 @-@ yard line in the process . After entering the Miami red zone , however , Tech was unable to gain a first down and Casey was sacked for a loss of 13 yards . Facing a fourth down and needing 20 yards for a first down , Tech coach Bill Dooley sent in kicker Dennis Laury to attempt a 42 @-@ yard field goal . The kick was successful , and with 29 seconds left in the first half , Tech cut Miami 's lead to 14 – 3 .
Miami was penalized 15 yards for roughing the kicker during the field goal attempt , allowing Tech to kick off from the Miami 45 @-@ yard line following the score . Instead of kicking off to Miami , Tech attempted an onside kick , which would allow Tech to retain possession if the ball was recovered by the kicking team after traveling 10 yards from the point at which it was kicked . The ball did not travel the needed 10 yards , however , and Miami began offense at its 37 @-@ yard line , where the ball rolled out of bounds . On Miami 's first play after the kick , Kelly attempted a long pass into Tech territory , but the ball was intercepted by Tech 's Mike Schamus at the Hokies ' 12 @-@ yard line . With just 21 seconds remaining in the first half , Tech attempted to gain quick yardage in an effort to close within field goal distance . Though Lawrence picked up 15 yards and a first with a rush , the Hokies were unable to enter the Miami side of the field before time expired . At the end of the first half , Miami still held a 14 – 3 lead .
= = = Third quarter = = =
Because Miami received the ball to begin the game , Virginia Tech received the ball to begin the second half . After Miami 's kickoff and a touchback , Tech began the first possession of the second half at its 20 @-@ yard line . The Hokies picked up a quick first down off a rush each by Lawrence , Dovel , and Casey . Lawrence picked up another with two rushes that resulted in 13 yards and drove the Hokies to their 44 @-@ yard line . There , Casey completed his longest pass of the game — a 42 @-@ yard throw to tight end Rob Purdham — that gave Tech a first down at the Miami 14 @-@ yard line . Tech continued to drive , picking up short yardage with multiple rushes . The Hokies suffered a near @-@ disaster when Lawrence fumbled the ball , but Tech retained possession when the ball rolled out of bounds at the one @-@ yard line . Two plays after the fumble , Lawrence vaulted over the goal line for Tech 's first and only touchdown of the game . Following the extra point , Tech cut Miami 's lead to 14 – 10 with 8 : 52 remaining in the quarter .
Following the Tech kickoff , Miami began a drive at its 20 @-@ yard line and went three and out . Following the Hurricanes ' punt , Tech 's offense began work at its 22 @-@ yard line . Despite having a chance to take the lead with a successful drive , the Hokies also went three and out , punting back to Miami and allowing the Hurricanes to begin a possession at their 33 @-@ yard line . This possession was more successful than Miami 's first of the second half . Kelly ran for four yards , then completed a six @-@ yard pass for a first down . Tech committed a 15 @-@ yard grabbing @-@ the @-@ facemask penalty , and Kelly completed a 15 @-@ yard pass that
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continued working as a stenographer . When her father died toward the end of World War I , Bennett assumed care for her invalid mother .
During this time period Bennett began to write a number of short stories and novels , only stopping when her mother died in 1920 . In the mid @-@ 1920s , she moved to California . Because Bennett was estranged from her daughter , for a number of years researchers believed Bennett died in 1939 ( the date of her final letter to her daughter ) . However , new research , including her death certificate , shows that she died in 1948 .
= = Writing career = =
Bennett wrote her first short story at age 17 , a science fiction story titled " The Curious Experience of Thomas Dunbar " . She mailed the story to Argosy , then one of the top pulp magazines . The story was accepted and published in the March 1904 issue .
Once Bennett began to take care of her mother , she decided to return to fiction writing as a means of supporting her family . The first story she completed after her return to writing was the novella " The Nightmare , " which appeared in All @-@ Story Weekly in 1917 . The story is set on an island separated from the rest of the world , on which evolution has taken a different course . " The Nightmare " resembles Edgar Rice Burroughs ' The Land That Time Forgot , itself published a year later . While Bennett had submitted " The Nightmare " under her own name , she had asked to use a pseudonym if it was published . The magazine 's editor chose not to use the pseudonym Bennett suggested ( Jean Vail ) and instead credited the story to Francis Stevens . When readers responded positively to the story , Bennett chose to continue writing under the name .
Over the next few years , Bennett wrote a number of short stories and novellas . Her short story " Friend Island " ( All @-@ Story Weekly , 1918 ) , for example , is set in a 22nd @-@ century ruled by women . Another story is the novella " Serapion " ( Argosy , 1920 ) , about a man possessed by a supernatural creature . This story has been released in an electronic book entitled Possessed : A Tale of the Demon Serapion , with three other stories by her . Many of her short stories have been collected in The Nightmare and Other Tales of Dark Fantasy ( University of Nebraska Press ,
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elected as a Conservative MP in 1900 . A Blue Plaque on the exterior of the building commemorates the event . Long existing as the political centre of the town , complete with courtrooms , the structure has stood empty since the mid @-@ 1980s and has regularly been earmarked for redevelopment as part of regeneration project proposals , but none have been actioned .
In September 2008 , it was reported that " Oldham Town Hall is only months away from a major roof collapse " . A tour taken by local councillors and media concluded with an account that " chunks of masonry are falling from the ceilings on a daily basis ... the floors are littered with dead pigeons and ... revealed that the building is literally rotting away " . In October 2009 the Victorian Society , a charity responsible for the study and protection of Britain 's Victorian and Edwardian architecture , declared Oldham Town Hall as the most endangered Victorian structure in England and Wales . Plans to convert the hall into a leisure complex , incorporating a cinema and restaurants , were revealed in May 2012 with the hall itself being used for public consultation . This £ 36 @.@ 72 million project is expected to be completed by early in 2016 .
In the heart of Oldham ’ s retail district , the Old Town Hall is being developed into a modern multiplex ODEON cinema .
= = = War memorial = = =
Erected as a permanent memorial to the men of Oldham who were killed in the First World War , Oldham 's war memorial consists of a granite base surmounted by a bronze sculpture depicting five soldiers making their way along the trenches in order to go into battle . The main standing figure , having climbed out of the trenches , is shown calling on his comrades to advance , and is the same figure used at the Royal Fusiliers War Memorial in London and the 41st Division memorial at Flers in France . The base serves to house books containing the roll of honour of the 1st , 10th and 24th Battalions , Manchester Regiment . The pedestal has two bronze doors at either side .
Commissioned in 1919 by the Oldham War Memorial Committee , the memorial was designed and built by Albert Toft . It was unveiled by General Sir Ian Hamilton on 28 April 1923 , before a crowd estimated at over 10 @,@ 000 . The monument was intended to symbolise the spirit of 1914 – 1918 .
The inscriptions on the memorial read :
Over doors to the north : " DEATH IS THE GATE OF LIFE / 1914 – 1918 "
Over window to the south : " TO GOD BE THE PRAISE "
= = = Civic Centre = = =
The Civic Centre tower is the Metropolitan Borough of Oldham 's centre of local governance . The 15 @-@ storey white @-@ brick building has housed the vast majority of the local government 's offices since its completion in 1977 . Standing at the summit of the town , the tower stands over 200 feet ( 61 m ) high . It was designed by Cecil Howitt & Partners , and the topping out ceremony was held on 18 June 1976 . The Civic Centre can be seen as far away as Salford , Trafford , Wythenshawe and Winter Hill in Lancashire , and offers panoramic views across the city of Manchester and the Cheshire Plain .
= = = Parish Church = = =
The Oldham Parish Church of St. Mary with St. Peter , in its present form , dates from 1830 and was designed in the Gothic Revival Style by Richard Lane , a Manchester @-@ based architect . It has been designated by English Heritage as a Grade II * listed
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building . It was linked with the church of St Mary the Virgin , Prestwich and together the sites were principal churches of the ancient ecclesiastical parish of Prestwich @-@ cum @-@ Oldham .
A church building had existed on the site since 1280 . During this time , a small chapel stood on the site to serve the local townships of Oldham , Chadderton , Royton and Crompton . This was later replaced by an Early English Gothic church in the 15th century . With the coming of the Industrial Revolution , the population of Oldham increased at a rapid rate ( from under 2 @,@ 000 in 1714 , to over 32 @,@ 000 by 1831 ) . The rapid growth of the local population warranted that the building be rebuilt into the current structure . Though the budget was originally agreed at £ 5 @,@ 000 , the final cost of building was £ 30 @,@ 000 , one third of which was spent on the crypt structure . Alternative designs by Sir Charles Barry , the designer of the Palace of Westminster , although now regarded by some as superior , were rejected . The Church , of the Anglican denomination , is in active use for worship , and forms part of the Diocese of Manchester . There are Roman Catholic churches in Oldham . These include Our Lady of Mount Carmel and St Patrick Church . It was built in 1870 , was founded by priests from St Mary 's Church in Oldham , and is a Grade II listed building .
= = Transport = =
The geography of Oldham constrained the development of major transport infrastructure , with the former County Borough Council suggesting that " if it had not grown substantially before the railway age it would surely have been overlooked " . Oldham has never been on a main @-@ line railway route , and canals too have only been able to serve it from a distance , meaning that " Oldham has never had a train service worthy of a town of its size " .
A principal destination along the former Oldham Loop Line , Oldham once had six railway stations but this was reduced to three once Clegg Street , Oldham Central and Glodwick Road closed in the mid @-@ 20th century . Oldham Werneth , Oldham Mumps and Derker closed on 3 October 2009 . Trains from Manchester Victoria station to Oldham had to climb steeply through much of its 6 @-@ mile ( 9 @.@ 7 km ) route , from around 100 feet ( 30 @.@ 5 m ) at Manchester city centre to around 600 feet ( 182 @.@ 9 m ) at Oldham Mumps . The Werneth Incline , with its gradient of 1 in 27 , made the Middleton Junction to Oldham Werneth route the steepest regular passenger line in the country . The Werneth Incline route closed in 1963 . It had been replaced as the main route to Manchester by the section of line built between Oldham Werneth Station and Thorpes Bridge Junction , at Newton Heath in May 1880 . Oldham Mumps , the second oldest station on the line after Werneth , took its name from its location in the Mumps area of Oldham , which itself probably derived from the archaic word " mumper " which was slang for a beggar . The former Oldham Loop Line was converted for use with an expanded Metrolink light rail network , and renamed as the Oldham and Rochdale Line . The line between Victoria and a temporary Oldham Mumps tram stop opened on 13 June 2012 , and more central stops opened on 27 January 2014 .
Oldham had electric tramways to Manchester in the early 20th century ; the first tram was driven from Manchester into Oldham in 1900 by the Lord Mayor of Manchester . The system came to
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an end on 3 August 1946 , however . There was also a short @-@ lived Oldham trolleybus system , in 1925 – 26 . The £ 3 @.@ 3 million Oldham Bus Station has frequent bus services to Manchester , Rochdale , Ashton @-@ under @-@ Lyne and Middleton with other services to the Metropolitan Borough of Oldham , Tameside , and across the Pennines to Huddersfield in West Yorkshire . The roof canopy is supported internally on two rows of steel trees . The extensive use of glass and stainless steel maximises visibility , and there is a carefully co @-@ ordinated family of information fittings , posters and seating , using robust natural materials for floors and plinths . The bus station is used by National Express coaches . First Greater Manchester has its headquarters in Oldham .
Despite the Turnpike Act 1734 , Oldham had no turnpike road to Manchester for another 56 years and Church Lane , Oldham remained part of the main street through the town . But following a further Act of Parliament a turnpike was constructed . The first regular coach service to Manchester came into operation in October 1790 , with a journey time of over 2 hours and a fare 2s.8d ( about 13p ) , with half fare for travellers on top of the coach .
Oldham is about 4 miles ( 6 @.@ 4 km ) south of the major M62 motorway , but is linked to it by the M60 at Hollinwood , and A627 ( M ) via Chadderton . There are major A roads to Ashton @-@ under @-@ Lyne , Huddersfield , Manchester , and Rochdale .
The Hollinwood Branch of the Ashton Canal was a canal that ran from Fairfield in Droylsden , through Littlemoss and Daisy Nook Country Park to the Hollinwood area of Oldham , with a branch from Daisy Nook to the Fairbottom Branch Canal . The canal was mainly used for the haulage of coal until it fell into disuse for commercial traffic in the 1930s . It included four aqueducts and a two @-@ rise lock staircase .
= = Sports = =
Oldham Roughyeds Rugby League Club was established in 1876 as Oldham Football Club , and Oldham Athletic Football Club in 1895 as Pine Villa Football Club . Oldham Athletic have achieved both league and cup successes , particularly under Joe Royle in the 1990s . They were Football League runners @-@ up in the last season before the outbreak of the First World War , but were relegated from the Football League First Division in 1923 . They reached the Football League Cup final in 1990 and won the Football League Second Division title in 199
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heavy bombardment from an offshore squadron of monitors and destroyers as well as artillery support from Royal Marine artillery near Ypres in Allied @-@ held Flanders . Closer support would be offered by several flotillas of motor launches , small torpedo boats and Coastal Motor Boats which would lay smoke screens to obscure the advancing blockships as well as evacuate the crews of the cruisers after they had blocked the channel .
= = = British order of battle = = =
= = = = Offshore Squadron = = = =
Lord Clive @-@ class monitors with 12 in ( 300 mm ) guns :
HMS Marshal Soult , Lord Clive , Prince Eugene and General Crauford
M15 class monitors with 7 @.@ 5 in ( 190 mm ) guns :
HMS M24 , M26 , M21
Destroyers :
HMS Mentor , Lightfoot and Zubian
French Navy Lestin , Roux and Bouclier
Light craft :
4 torpedo boats , 4 French motor launches
= = = = Inshore Squadron = = = =
Blockships :
HMS Sirius , Brilliant
Destroyers :
HMS Swift , Faulknor ( destroyer leader ) , Matchless , Mastiff , Afridi , Tempest , Tetrarch
Light craft :
18 Motor Launches , 8 Coastal Motor Boats
Artillery support was also provided by Royal Marine heavy artillery in Allied @-@ held Flanders . The force was covered in the English Channel by seven light cruisers and 16 destroyers , none of which saw action .
= = Attack on Ostend = =
The assaults on Zeebrugge and Ostend were eventually launched on 23 April , after twice being delayed by poor weather . The Ostend force arrived off the port shortly before midnight and made final preparations ; the monitors took up position offshore and the small craft moved forward to begin laying smoke . Covering the approach , the monitors opened fire on German shore defences , including the powerful " Tirpitz " battery , which carried 11 in ( 280 mm ) guns . As a long range artillery duel developed , the cruisers began their advance towards the harbour mouth , searching for the marker buoys which indicated the correct passage through the diverse sandbanks which made navigation difficult along the Belgian coast .
It was at this stage that the attack began to go seriously wrong . Strong winds blowing off the land swept the smoke screen into the face of the advancing cruisers , blinding their commanders who attempted to navigate by dead reckoning . The same wind disclosed the Inshore Squadron to the German defenders who immediately opened up a withering fire on the blockships . With their volunteer crews suffering heavy casualties , the commanders increased speed despite the poor visibility and continued groping through the narrow channels inshore , searching for the Stroom Bank buoy which directed shipping into the canal .
Commander Alfred Godsal led the assault in HMS Brilliant and it was he who stumbled into the most effective German counter @-@ measure first . As Brilliant staggered through the murk , the lookout spotted the buoy ahead and Godsal headed directly for it , coming under even heavier fire as he did so . Passing the navigation marker at speed , the cruiser was suddenly brought to a halt with a juddering lurch , throwing men to the decks and sticking fast in deep mud well outside the harbour mouth . Before warnings could be relayed to the Sirius following up close behind , she too passed the buoy and her captain Lieutenant @-@ Commander Henry Hardy was shocked to see Brilliant dead ahead . With no time to maneuvere , Sirius ploughed into the port quarter of Brilliant , the blockships settling into the mud in a tangle of wreckage .
Artillery and long @-@ range machine gun fire continued to riddle the wrecks and the combined crews were ordered to evacuate as the officers set the scuttling charges which would sink the blockships in their current , useless locations . As men scrambled down the side of the cruisers into Coastal Motor Boats which would relay them to the Offshore Squadron , destroyers moved closer to Ostend to cover the retreat and the monitors continued their heavy fire . Godsal was the last to leave , picked up by launch ML276 commanded by Lieutenant Rowley Bourke . With the main assault a complete failure , the blockading forces returned to Dover and Dunkirk to assess the disaster .
When the forces had reassembled and the commanders conferred , the full facts of the failed operation were revealed . The German commander of Ostend had been better prepared than his counterpart at Zeebrugge and had recognised that without the navigation buoy no night attack on Ostend could be successful without a strong familiarity with the port , which none of the British navigators possessed . However , rather than simply remove the buoy , the German commander had ordered it moved 2 @,@ 400 yd ( 2 @,@ 200 m ) east of the canal mouth into the centre of a wide expanse of sandbanks , acting as a fatal decoy for any assault force .
= = Aftermath = =
The assault at Zeebrugge a few miles away from Ostend was more successful and the blocking of the major channel did cause some consternation amongst the German forces in Bruges . The larger raiders could no longer leave the port , but smaller ships , including most submarines , were still able to traverse via Ostend . In addition , within hours a narrow channel had also been carved through Zeebrugge too , although British intelligence did not realise this for several weeks . The defeat at Ostend did not entirely dampen the exuberant British media and public reaction to Zeebrugge , but in the Admiralty and particularly in the Allied Naval and Marine Forces the failure to completely neutralise Bruges rankled .
A second operation was planned for 10 May using the cruiser HMS Vindictive and proved more successful , but ultimately it also failed to completely close off Bruges . A third planned operation was never conducted as it rapidly became clear that the new channel carved at Zeebrugge was enough to allow access for U @-@ boats , thus calling for an even larger double assault , which would stretch the resources of the " Allied Naval and Marine Forces " too far . British losses in the three futile attempts to close Bruges cost over 600 casualties and the loss of several ships but Bruges would remain an active raiding base for the German Navy until October 1918 .
= Joyful , Joyful =
" Joyful , Joyful " is a song by contemporary Christian music band Casting Crowns from their fourth studio album Until the Whole World Hears ( 2009 ) . Written by Mark Hall and Bernie Herms and produced by Mark A. Miller , the song is a re @-@ interpretation of the hymn " Joyful , Joyful We Adore Thee " and Ludwig van Beethoven 's Symphony No. 9 . " Joyful , Joyful " , a CCM and alternative CCM song , is driven by a string section that has been
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was descended from minor Irish nobility . With his father a vocal Nonconformist , the young Simon acquired his Puritan religious views early in life . At the age of 16 , Bradstreet entered Emmanuel College , Cambridge . He studied there for two years , before entering the service of the Earl of Lincoln as an assistant to Thomas Dudley in 1622 . There is some uncertainty about whether Bradstreet returned to Emmanuel College in 1623 – 1624 . According to Venn , a Simon Bradstreet attended Emmanuel during this time , receiving an M.A. degree , but genealogist Robert Anderson is of the opinion that this was not the same individual . During one of Bradstreet 's stints at Emmanuel he was recommended by John Preston as a tutor or governor to Lord Rich , son of the Earl of Warwick . Rich would have been 12 in 1623 , and Preston was named Emmanuel 's master in 1622 .
Bradstreet took over Dudley 's position when the latter moved temporarily to Boston in 1624 . On Dudley 's return several years later , Bradstreet then briefly served as a steward to the Dowager Countess of Warwick . In 1628 he married Dudley 's daughter Anne , when she was 16 .
In 1628 , Dudley and others from the Earl of Lincoln 's circle formed the Massachusetts Bay Company , with a view toward establishing a Puritan colony in North America . Bradstreet became involved with the company in 1629 , and in April 1630 , the Bradstreets joined the Dudleys and colonial Governor John Winthrop on the fleet of ships that carried them to Massachusetts Bay . There they founded Boston , the capital of the Massachusetts Bay Colony .
= = Massachusetts Bay Colony = =
After a brief stay in Boston , Bradstreet made his first residence in Newtowne ( later renamed Cambridge ) , near the Dudleys in what is now Harvard Square . In 1637 , during the Antinomian Controversy , he was one of the magistrates that sat at the trial of Anne Hutchinson , and voted for her banishment from the colony . In 1639 he was granted land in Salem , near that of John Endecott . He lived there for a time , moving in 1634 to Ipswich before becoming one of the founding settlers of Andover in 1648 . In 1666 his Andover home was destroyed by fire , supposedly because of " the carelessness of the maid " . He had varied business interests , speculating in land , and investing with other colonists in a ship involved in the coasting trade . In 1660 he purchased shares in the Atherton Company , a land development company with interests in the " Narragansett Country " ( present @-@ day southern Rhode Island ) . He became one of its leading figures , serving on the management committee , and publishing handbills advertising its lands . When he died he owned more than 1 @,@ 500 acres ( 610 ha ) of land in five communities spread across the colony . He was known to own two slaves , a woman named Hannah and her daughter Billah .
Bradstreet was heavily involved in colonial politics . When the council met for the first time in Boston , Bradstreet was selected to serve as colonial secretary , a post he would hold until 1644 . He was politically moderate , arguing against legislation and judicial decisions punishing people for speaking out against the governing magistrates . Bradstreet was also outspoken in opposition to the witch hysteria that infested his home town of Salem , culminating in numerous trials in 1692 .
He served for many years as a commissioner representing Massachusetts to the New England Confederation , an organization that coordinated matters of common interest ( principally defense ) among most of the New England colonies . He was regularly chosen as an assistant , serving on the council that dominated the public affairs of the colony , but did not reach higher office until 1678 , when he was first elected deputy governor under John Leverett . He was against military actions against some of the colony 's foreign neighbors , opposing official intervention in a French Acadian dispute in the 1640s , and also spoke against attacking the New Netherland during the First Anglo @-@ Dutch War ( 1652 – 1654 ) .
Bradstreet was sent on a number of diplomatic missions , dealing with settlers , other English colonies , and the Dutch in New Amsterdam . In 1650 he was sent to Hartford , Connecticut , where the Treaty of Hartford was negotiated to determine the boundary between the English colonies and New Amsterdam . In the following years he negotiated an agreement with settlers in York and Kittery to bring them under Massachusetts jurisdiction .
Following the 1660 restoration of Charles II to the throne of England , colonial authorities again became concerned about preserving their charter rights . Bradstreet in 1661 headed a legislative committee to " consider and debate such matters touching their patent rights , and privileges , and duty to his Majesty , as should to them seem proper . " The letter the committee drafted reiterated the colony 's charter rights , and also included declarations of allegiance and loyalty to the crown . Bradstreet and John Norton were chosen as agents to deliver the letter to London . Charles renewed the charter , but sent the agents back to Massachusetts with a letter attaching conditions to his assent . The colony was expected , among other things , to expand religious tolerance to include the Church of England and religious minorities like the Quakers . The agents were harshly criticized by hardline factions of the legislature , but Bradstreet defended the need to accommodate the king 's wishes as the safest course to take . How to respond to the king 's demands divided the colony ; Bradstreet was part of the moderate " accommodationist " faction arguing that the colony should obey the king 's wishes . This faction lost the debate to the hardline " commonwealth " faction , who were in favor of aggressively maintaining the colony 's charter rights , led through the 1660s by governors John Endecott and Richard Bellingham . With Charles distracted by war with the Dutch and domestic politics in the late 1660s , the issue lay dormant until the mid @-@ 1670s . Relations between colony and crown deteriorated when the king then renewed demands for legislative and religious reforms , which hardline magistrates again resisted .
= = Governor = =
In early 1679 Governor John Leverett died , and Bradstreet as deputy succeeded him . Leverett had opposed accommodation of the king 's demands , and the change to an accommodationist leadership was too late . Bradstreet would turn out to be the last governor under its original charter . His deputy , Thomas Danforth was from the commonwealth faction . During his tenure , crown agent Edward Randolph was in the colony , attempting to enforce the Navigation Acts , under which certain types of trade involving the colony were illegal . Randolph 's enforcement attempts were vigorously resisted by both the merchant classes and sympathetic magistrates despite Bradstreet 's attempts to accommodate Randolph . Juries frequently refused to condemn ships accused of violating the acts ; in one instance Bradstreet tried three times to get a jury to change its verdict . Randolph 's attempts to enforce the navigation laws eventually convinced the colony 's general court that it needed to create its own mechanisms for their enforcement . A bill to establish a naval office was vigorously debated in 1681 , with the house of deputies , dominated by the commonwealth party , opposing the idea , and the moderate magistrates supporting it . The bill that finally passed was a victory for the commonwealth party , making enforcement difficult and subject to reprisal lawsuits . Bradstreet refused to actually implement the law , and Randolph published open challenges to it . Bradstreet was in some degree vindicated when he won re @-@ election in 1682 , and he then used his judicial authority to further undermine the law 's effects .
Randolph 's threats to report the colonial legislature 's intransigence prompted it to dispatch agents to England to argue the colony 's case ; however , their powers were limited . Shortly after their arrival in late 1682 , the Lords of Trade issued an ultimatum to the colony : either grant its agents wider powers , including the ability to negotiate modifications to the charter , or risk having the charter voided . The general court responded by issuing the agents instructions to take a hard line . Following legal processes begun in 1683 , the charter was formally annulled on October 23 , 1684 .
= = Dominion , and temporary return as governor = =
King Charles II in 1684 established the Dominion of New England . Bradstreet 's brother @-@ in @-@ law Joseph Dudley , who had served as one of the colonial agents , was commissioned by James as President of the Council for New England in 1685 by King James II , and took control of the colony in May 1686 . Bradstreet was offered a position on Dudley 's council , but refused . Dudley was replaced in December 1686 by Sir Edmund Andros , who came to be greatly detested in Massachusetts for vacating existing land titles , and seizing Congregational church properties for Church of England
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that were , according to art historian Andrew Carrington Shelton , either " bitingly sarcastic [ or ] fawningly reverential " . There were many satirical reproductions and pointed editorials in the following years . Aware of Bertin 's support of the July Monarchy , writers at the La Gazette de France viewed the portrait as the epitome of the " opportunism and cynicism " of the new regime . Their anonymous critic excitedly wondered " what bitter irony it expresses , what hardened skepticism , sarcasm and ... pronounced cynicism " .
Several critics mentioned Bertin 's hands . Twentieth @-@ century art historian Albert Boime described them as " powerful , vulturine ... grasping his thighs in a gesture ... projecting ... enormous strength controlled " . Some contemporary critics were not so kind . The photographer and critic Félix Tournachon was harshly critical , and disparaged what he saw as a " fantastical bundle of flesh ... under which , instead of bones and muscles , there can only be intestines – this flatulent hand , the rumbling of which I can hear ! " Bertin 's hands made a different impression on the critic F. de Lagenevais , who remarked : " A mediocre artist would have modified them , he would have replaced those swollen joints with the cylindrical fingers of the first handy model ; but by this single alteration he would have changed the expression of the whole personality ... the energetic and mighty nature " .
The work 's realism attracted a large amount of commentary when it was first exhibited . Some saw it as an affront to Romanticism , others said that its small details not only showed an acute likeness , but built a psychological profile of the sitter . Art historian Geraldine Pelles sees Bertin as " at once intense , suspicious , and aggressive " . She notes that there is a certain amount of projection of the artist 's personality and recalls Théophile Silvestre 's description of Ingres ; " There he was squarely seated in an armchair , motionless as an Egyptian god carved of granite , his hands stretched wide over parallel knees , his torso stiff , his head haughty " . Some compared it to Balthasar Denner , a German realist painter influenced by Jan van Eyck . Denner , in the words of Ingres scholar Robert Rosenblum , " specialised in recording every last line on the faces of aged men and women , and even reflections of windows in their eyes . " The comparison was made by Ingres ' admirers and detractors alike . In 1833 , Louis de Maynard of the Collège @-@ lycée Ampère , writing in the influential L 'Europe littéraire , dismissed Denner as a weak painter concerned with hyperrealistic " curiosities " , and said that both he and Ingres fell short of the " sublime productions of Ingres ' self @-@ proclaimed hero , Raphael . "
The following year Ingres sought to capitalise on the success of his Bertin portrait . He showed his ambitious history painting The Martyrdom of Saint Symphorian at the 1834 Salon , but it was harshly criticised ; even Ingres ' admirers offered only faint praise . Offended and frustrated , Ingres declared he would disown the Salon , abandon his residence in Paris for Rome , and relinquish all current positions , ending his role in public life . This petulance was not to last .
Bertin bequeathed the portrait to his daughter Louise ( 1805 – 77 ) on his death . She passed it to her niece Marie @-@ Louise @-@ Sophie Bertin ( 1836 – 93 ) wife of Jules Bapst , a later director of the Journal des débats . They bequeathed it to their niece Cécile Bapst , its last private owner . In 1897 Cécile sold it to the Musée du Louvre for 80 @,@ 000 francs .
= = Legacy = =
The Bertin portrait has been hugely influential . At first it served as a model for depictions of energetic and intellectual 19th @-@ century men , and later as a more universal type . Several 1890s works closely echo its form and motifs . Jean @-@ Joseph Benjamin @-@ Constant 's monochrome and severe 1896 Portrait of Alfred Chauchard is heavily indebted , while Léon Bonnat 's stern 1892 portrait of the aging Ernest Renan has been described as a " direct citation " of Ingres ' portrait .
Its influence can be seen in the dismissive stare and overwhelming physical presence of the sitter in Pablo Picasso 's 1906 Portrait of Gertrude Stein . Picasso admired Ingres and referred to him throughout his career . His invoking of Bertin can be read as a humorous reference to , according to Robert Rosenblum , " Stein 's ponderous bulk and sexual preference " . Stein does not possess Bertin 's ironic stare , but is similarly dressed in black , and leans forward in an imposing manner , the painting emphasising her " massive , monumental presence " . In 1907 the Swiss artist Félix Vallotton depicted Stein , in response to Picasso , making an even more direct reference to Ingres ' portrait , prompting Édouard Vuillard to exclaim , " That 's Madame Bertin ! "
The influence continued through the 20th century . Gerald Kelly recalled Bertin when painting his restless and confined series of portraits of Ralph Vaughan Williams in 1952 – 61 . In 1975 Marcel Broodthaers produced a series of nine black and white photographs on board based on Ingres ' portraits of Bertin and Mademoiselle Caroline Rivière .
= Harajuku Lovers Tour =
The Harajuku Lovers Tour was the first solo concert tour of American recording artist Gwen Stefani . The tour began through October to November 2005 , to support of her debut studio album Love . Angel . Music . Baby . ( 2004 ) . Although Stefani embarked on multiple tours with her band No Doubt , she initially opted not to participate in a tour to promote her album , an attitude that the singer eventually abandoned due to the commercial success of Love . Angel . Music . Baby .
The Harajuku Lovers Tour consisted of only one leg , which encompassed a three @-@ month @-@ long series of performances that visited cities throughout the United States and Canada . Stefani recruited hip hop group The Black Eyed Peas , rapper M.I.A. , and singer Ciara to accompany her as opening acts for her endeavors . The tour produced varying responses from contemporary critics , who despite praising Stefani 's vocals , were critical of other aspects of the show such as its musical material . According to Billboard , the tour grossed $ 22 million from 37 concerts , from which 20 sold @-@ out . A video album , titled Harajuku Lovers Live , was released in DVD format in conjunction with her 2006 album The Sweet Escape and features the singer performing at the Honda Center in Anaheim , California , Stefani 's birthplace .
= = Background = =
Stefani announced a tour to support her first solo studio album Love . Angel . Music . Baby . ( 2004 ) on June 27 , 2005 , giving details of sixteen dates from October 16 to November 10 . The announcement on June 27 also included the fact that hip hop group The Black Eyed Peas , who are also signed to Interscope Records , would be the opening act for all the announced dates except November 3 . The group , who were backing their album Monkey Business , ended up touring with Stefani until November 14 . On August 8 , it was announced that singer @-@ songwriter and rapper M.I.A. would take over as the opening act from November 16 to November 25 , although it wasn 't until August 17 that the extra dates from November 11 to November 25 were officially added to the tour . M.I.A. toured with Stefani , backing her album Arular , until December 1 . On September 29 , the final set of dates , November 26 to December 21 , were added to the tour and it was announced that the third and final opening act for Stefani 's tour would be singer Ciara , backing her album Goodies , from December 3 to December 21 .
Stefani initially did not intend to tour to support the album , responding " What tour ? " to a question from MTV News in December 2004 regarding a possible tour . She later mentioned several times that she had not originally intended to
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tour in support of the album , referring to her " illegal tour " and apologizing for her breaking her promise not to tour on stage at the Xcel Energy Center in Saint Paul , Minnesota on November 14 and admitting " I just wanted to make a record . I didn 't want to tour , I was too tired , then you guys kept buying the record , and I had to come out and see you guys " on stage at Winnipeg on November 16 . In a September interview with MTV News , Stefani said of the tour : " I 'm looking forward to it , it 's going to be unbelievable . [ ... ] I would love to try to roll a little bit of ' Orange County Girl ' in there . We 'll see . Anything can happen in rehearsals . I don 't even know how long the show can be right now . "
= = Concert synopsis = =
Stefani opened the show with the song " Harajuku Girls " , an ode to Harajuku , the fashion district of Tokyo , Japan . She appeared on stage wearing a tiara and baby doll outfit , sitting in the red velvet and gold throne from the cover of Love . Angel . Music . Baby. and surrounded by her backing dancers , also called the Harajuku Girls , while video images of Harajuku itself played on screens behind her . Her second song was the first single from the album , " What You Waiting For ? " , which she began as a ballad before bringing it up to its usual pace . Stefani and the Harajuku Girls then left the stage to change into one @-@ piece bathing suits while her band continued to play , before returning to perform " The Real Thing " . A group of four breakdancers came on stage to perform while Stefani left the stage again to change into a black @-@ and @-@ white leather tracksuit . For the next song , the album 's sixth single " Crash " , the audience were then divided into male and female halves and , as images of a car hood bouncing to the beat were broadcast , each half took turns to sing the lyric " back it up , back it up " . Stefani then performed the fourth single from the album , " Luxurious " .
Stefani changed outfits again into a pair of black hot pants to perform " Rich Girl " , the album 's second single , while walking along a catwalk into the crowd and giving fans high @-@ fives . She then sang " Danger Zone " and " Long Way to Go " , both intimate songs , before performing two new songs back @-@ to @-@ back : " Wind It Up " , which would become the first single from her second album The Sweet Escape , and " Orange County Girl " . " Wind It Up " was performed with a carnival vibe and " Orange County Girl " was accompanied by a video montage of childhood photos of Stefani and images of items mentioned in the song . She changed into a silver sequinned cocktail dress for the fourth single from her first album , " Cool " .
In early performances of the show , Stefani 's next song was " Hollaback Girl " , the album 's third and best @-@ selling single , performed in a drumming costume and singing with the audience . This was followed by an encore of " Serious " and " Bubble Pop Electric " , for which Stefani was brought out in a stretcher by the Harajuku Girls . However , in later performances , " Hollaback Girl " was saved for the encore and preceded by the two other songs .
= = Critical response = =
Critics were divided with the Harajuku Lovers Tour . Patrick MacDonald of the Seattle Times , while applauding Stefani 's song @-@ writing efforts and the show 's " frothy fun " antics , reprimanded the singer 's dancing and limited material , given that she performed only twelve songs from Love . Angel . Music . Baby. and two from The Sweet Escape but none from previous work with her band No Doubt . In regards to the musical selection , MacDonald concluded that half the songs are " eminently forgettable " , a view echoed by Winnipeg Sun columnist Rob Williams , who described some of the album tracks as " filler " . Despite these objections , Williams issued her MTS Center performance a three @-@ and @-@ a @-@ half out of five stars . " But sometimes the music didn 't matter when there was as much eye candy as Stefani provided " , opined the Winnipeg Sun writer . " She is an extremely striking figure and the choreography , light show , backup dancers and frequent costume changes all added to the spectacle , which ended up being more style than substance . "
Mike Ross of the Edmonton Sun was impressed with Stefani 's ability to engage the audience , a quality that earned her the description of the " effervescent hostess " from the journalist . In his four star review for the concert , he commended the " swell " music and " amazing " choreography ; " It also had merit as a choreographic tour @-@ de @-@ force — thanks in large part to a quartet each of talented dancing geisha girls and B @-@ boys " , remarked Ross . Stefani 's different outfits and set pieces also won praise . " So you could have enjoyed last night 's concert as a fashion show . Or a music video , sure " , Ross concluded . Although she called Stefani the " new princess of pop " and praised the singer 's charismatic presence during the show , Jane Stevenson of the Toronto Sun felt that the concert was " definitely of the lightweight variety in the music department " and noted that , although Stefani models herself after Madonna , she is " no real threat " . She gave the concert three @-@ and @-@ a @-@ half stars out of five .
MTV 's Corey Moss compared Stefani 's performance to Madonna with regard to
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ulsions , Picard discovers his wife is Jenice , Picard 's former love from before he decided to join Starfleet . Jenice warns that her husband was working privately in his laboratory , but that she didn 't know what he was working on . She also alerts the crew to numerous security protocols that he has installed at the facilities . As the crew prepares to send an away @-@ team to investigate the laboratory , they experience more time distortions , described by Data ( Brent Spiner ) as " Manheim effects " . In one instance Picard , Riker and Data enter a turbolift only to see their past selves conversing outside of the lift . The crew find that they cannot complete a transporter beam to the facility due to the instabilities .
Dr. Manheim recovers long enough to explain that he was doing experiments involving time , gravity , and funnels to other universes , and suspects his last experiment is running out @-@ of @-@ hand . Manheim explains that he is trapped between two dimensions and Data determines that the experiment must be shut down during a time fluctuation or else it will simply grow larger . Manheim provides the crew with the correct coordinates to beam down to avoid the security fields . Picard admits to Jenice that he worried about losing her again after he left her in Paris , and vows to correct Dr. Manheim 's experiment .
As he is affected less by the distortions , Data is sent down alone and disables the remaining security measures before entering Manheim 's laboratory . He finds a column of energy emanating from a dimensional matrix , the source of the time distortions . Data , though briefly affected by the time distortions , is able to add anti @-@ matter to the matrix , causing the matrix to stabilize and halt the time distortions . Dr. Manheim fully recovers , and he and Jenice thank Picard and the crew for their help . Picard and Jenice use the holodeck to recreate one more encounter at a Paris café , before she returns with her husband to the planet .
= = Production = =
" We 'll Always Have Paris " is named in reference to the Humphrey Bogart and Ingrid Bergman film Casablanca . As well as the title of the episode and the love triangle in the story , the Blue Parrot Café from the film is directly mentioned by Captain Picard . Casablanca was also the basis for the earlier Star Trek : The Original Series novel The Entropy Effect , and would be so again in the Deep Space Nine episode " Profit and Loss " .
The story was originally pitched by Hannah Louise Shearer and Deborah Dean Davis , who were also given the job of developing the script . The writing of the episode suffered from the timing of the 1988 Writers Guild of America strike , with Shearer and Dean Davis completing the script in five days . The premise of the story was a combination of their idea of a story " about a professor whose work wasn 't appreciated and had to go off on his own " and that of Maurice Hurley who wanted a story with a time anomaly . The final draft was dated 22 February and featured numerous differences from the filmed version , including Jenice being called Laura , a number of different interactions for the crew , and Riker , Worf and Data all being involved in shutting down Manheim 's equipment . The script was finalised a week before the episode was filmed , but the writers strike caused further issues when it was discovered during filming that the scene where Data was to fix the time distortions hadn 't been completed .
Robert Legato and Rick Berman spent forty minutes on the telephone with Shearer during the strike . While she refused to write the lines during the strike , Berman suggested dialogue and Shearer would give opinions with Legato taking down handwritten notes . Legato decided on the directing notes himself , and used a whip pan shot instead of an effects shot to film the three Datas as director Robert Becker had never used effects shots previously . Shearer wasn 't happy with the final result , saying " we were writing the most romantic episode in the world " but that " it was toned down 75 % " .
Shearer later complained of a lack of chemistry between Michelle Phillips and Patrick Stewart , which Phillips blamed on the conflicted nature of the character in that she was committed to her husband but also wanted to see Picard once more . Phillips , a Star Trek fan , is better known for being a member of the 1960s group The Mamas & the Papas . Rod Loomis ' previous science fiction outing was in Bill and Ted 's Excellent Adventure as Sigmund Freud , and Lance Spellerberg would later return in " The Icarus Factor " where his transporter chief gained the name Ensign Herbert . The image of 24th century Paris was a matte painting which was re @-@ used in Star Trek VI : The Undiscovered Country where it was hung outside the office of the Federation president .
= = Reception = =
" We 'll Always Have Paris " aired in broadcast
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Boise State 38 – 24 .
= = = Fourth quarter = = =
BSU started the fourth quarter by throwing two incomplete passes . Tharp then completed two passes for a combined 39 yards before Pirates ' defender J.J. Milbrook intercepted Tharp 's fifth pass of the quarter . Milbrook returned the interception 27 yards . The Pirates completed one first down but failed to convert the interception into points . Kicker Matt Dodge came into the game , ostensibly to punt the ball away . In a trick play , he rushed the ball instead , picking up the first down . Despite the trick play 's success , the Pirates were not able to gain another first down . On fourth down , Dodge came out again , and this time punted the ball 47 yards for a touchback . The Broncos began the second drive of the fourth quarter by going 80 yards in nine plays for a touchdown . It took just three minutes and 59 seconds and BSU only three first downs . Boise had now cut the Pirates ' lead to 38 – 31 .
On the next drive , ECU brought in a new quarterback , Rob Kass . Kass was initially successful , and gained a few first downs . The Boise State defense stiffened , however , and ECU was forced to punt the ball away . After a touchback , Boise State began on its 20 – yard line . Running back Jeremy Avery rushed for four yards on the first play . On the third play , Tharp completed a pass for nine yards for a first down . Tharp then passed three straight times for 32 yards and two first downs . On subsequent plays , Tharp rushed for six yards and passed for another six to convert BSU 's third first down of the drive . Three plays later , however , the Broncos ' Titus Young fumbled the ball for the second time in the game , and as before , ECU recovered , seemingly sealing the victory .
After a Boise State unsportsmanlike conduct penalty , ECU began its their 39 – yard line , needing only to rush the ball to keep the clock moving in order to secure the win . On the second rush by Chris Johnson , however , he fumbled the ball . The fumble was recovered by Broncos ' defender Marty Tadman at the ECU 47 – yard line and returned all the way for a touchdown . After the PAT , Boise State tied East Carolina 38 – 38 . The fumble and touchdown turned what had been an inevitable ECU victory into a tie game .
Boise kicked the ball deep , hoping to stop the Pirates ' offense and force overtime . Following the kick , ECU began at its own nine – yard line . The Pirates began the drive with one minute and 16 seconds left in the game . Dominique Lindsay rushed for two yards before Rob Kass completed a pass to Jamar Bryant for 39 yards , enough for a first down near midfield . The Pirates ' continued to move forward , passing for short yardage and rushing for short gains that kept the clock moving , but advanced the ball closer to field goal range . On the third to the last play , Kass rushed for seven yards , and ECU took a timeout with 15 seconds left . Rob Kass lost one yard while moving the ball towards the center of the field in order to set up a game @-@ ending kick . ECU took its last timeout , again stopping the clock . With four seconds remaining on the clock , ECU kicker Ben Hartman converted a 34 – yard field goal to take the lead and the win , 41 – 38 , as time ran out .
= = Final statistics = =
East Carolina running back Chris Johnson finished the game with 223 rushing yards , 32 receiving yards , and 153 return yards for a total of 408 all @-@ purpose yards . That mark broke the NCAA bowl record for all @-@ purpose yards previously set by Alabama 's Sherman Williams against Ohio State in the 1995 Citrus Bowl . On the basis of his record @-@ setting performance , Johnson was named the game 's Most Valuable Player . On the opposite side of the ball , Boise State tailback Jeremy Avery had a solid , if unspectacular , outing . He produced 69 rushing yards , 43 receiving yards , 41 kick – return yards , and caught a 25 – yard touchdown pass . Both Johnson and Avery received the Most Valuable Player award for their respective teams .
Boise State committed four turnovers , compared with East Carolina 's one . The Broncos fumbled the ball away twice and threw two interceptions . Despite the disparity in turnover margin , the teams were strikingly similar in several statistical categories , indicating the closeness of the game : Each team earned seven points off the turnovers . Both teams committed 50 yards in penalties ; the Pirates had seven penalties to the Broncos ' four . In addition , both teams earned 22 first downs .
= = = Boise State statistical recap = = =
Boise State University had 368 total offensive yards during the game . About 73 % of BSU 's total offense came through the air , as quarterback Taylor Tharp passed for 270 yards . The remaining 98 yards came on the ground from five different rushers . Running back Jeremy Avery ran for a team @-@ high 69 yards on 10 carries , while running back D.J. Harper had the only Boise State rushing touchdown of the game .
Tharp 's 30 completions were caught by eight different receivers . Austin Pettis led the team with nine catches for 89 yards , and his total accounted for one – third of the team 's receiving yards . Two receivers , Jeremy Avery and Ryan Putnam , accounted for all of the team 's receiving touchdowns . Avery had four catches for 43 yards , while Putnam had one catch for three yards .
Taylor Tharp 's two interceptions were the second @-@ most he had thrown in a game during 2007 , and brought his season interception total to 11 . He completed 30 of 44 pass attempts , a completion percentage of 68 @.@ 2 % . His 270 yards were 13 yards more than his season average of 257 yards . With only two passing touchdowns , Tharp tied for his third @-@ worst passing game in 2007 , faring worse only in the win against Weber State , loss to Washington , win against Fresno State , and loss to Hawaiʻi . Tharp was sacked once by Pirates ' defensive lineman C.J. Wilson for a seven yard loss .
Boise State 's defense had a hard time stopping the East Carolina offense , especially in the first half . The Pirates ' 31 points were the most scored all year by East Carolina in the first half . Leading the Broncos ' defense was safety Marty Tadman . Tadman had seven solo tackles , three assisted tackles , and recorded a defensive touchdown after recovering Chris Johnson 's fumble late in the fourth quarter . Linebacker Kyle Gingg also starred on defense , recording seven solo tackles , one assisted tackle , and one tackle for a one @-@ yard loss . A total of 23 players recorded at least one tackle .
Kyle B
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Variable Length Embedding Benchmark (VLEB)
Dataset Summary
VLEB (Variable Length Embedding Benchmark) is a specialized dataset designed to evaluate the performance, latency, and stability of embedding models and rerankers across a wide spectrum of context lengths.
Unlike standard datasets that focus on short passages, VLEB provides a balanced distribution of text ranging from standard RAG chunks to maximum-context documents (up to 32k tokens). It is constructed from wikitext-103-raw-v1 using a smart-clipping strategy that preserves semantic integrity without splitting words.
This benchmark is essential for:
- Length Generalization: Testing if models maintain semantic understanding as context grows.
- RAG Profiling: Measuring encoding latency and memory usage at different bins.
- "Lost-in-the-Middle" Analysis: Evaluating retrieval degradation in long-context windows.
Data Structure
The dataset consists of 8,000 samples, strictly balanced across 4 length categories (2,000 samples per bin). Token counts are calculated using the Qwen/Qwen2.5-7B-Instruct tokenizer.
| Category | Token Range (Qwen) | Typical Use Case |
|---|---|---|
| Short | 512 - 2,048 | Standard RAG chunks, abstracts, news snippets. |
| Medium | 2,048 - 8,192 | Full articles, technical reports, single-file code. |
| Long | 8,192 - 16,384 | Multiple papers, book chapters, long legal contracts. |
| Very Long | 16,384 - 32,000 | Entire books, massive documentation, stress testing context limits. |
Usage
from datasets import load_dataset
# Load the full dataset
dataset = load_dataset("ovuruska/variable-length-embedding-bench")
# Filter for specific length requirements
short_contexts = dataset.filter(lambda x: x['length_category'] == 'Short')
very_long_contexts = dataset.filter(lambda x: x['length_category'] == 'Very Long')
print(f"Sample Text ({very_long_contexts[0]['length_category']}):")
print(very_long_contexts[0]['text'][:200] + "...")
Construction Methodology
- Source: The dataset is derived from the
wikitext-103-raw-v1corpus. - Stream Buffering: The raw text was processed as a continuous stream rather than isolated lines.
- Smart Clipping: A buffer system accumulated tokens until a target length (randomly selected within bin ranges) was met. The text was then clipped at the exact token boundary and decoded back to string, ensuring no words are split and the text remains natural.
- Validation: All samples were re-tokenized to ensure they strictly fall within their assigned bin limits.
Citation
If you use this dataset for benchmarking, please cite:
@misc{vleb_2026,
author = {DeepInfra Engineering Team},
title = {Variable Length Embedding Benchmark (VLEB)},
year = {2026},
publisher = {Hugging Face},
howpublished = {\url{[https://huggingface.co/datasets/DeepInfra/variable-length-embedding-benchmark](https://huggingface.co/datasets/DeepInfra/variable-length-embedding-benchmark)}}
}
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